西安地区民间鼓乐社与铜器社的念词、歌章研究

发布时间：2018-06-28 07:49

本文选题：鼓乐社 + 铜器社　；参考：《西安音乐学院》2009年硕士论文

【摘要】： 西安鼓乐在民间又称为“细乐”或“乐器”,流行于陕西省西安市以及邻近终南山麓各县,是承继了唐宋遗音且“律调谱器曲”保存最为完整的大型民间吹打乐合奏乐种,被誉为“音乐的活化石”。追溯其产生的历史渊源,从乐谱谱式、宫调体系、乐曲结构、曲名以及乐器使用等方面的文献资料综合分析显示,它与唐代燕乐中的大曲有着密切的联系,可能源于唐、兴于宋而盛于明清,其乐种本身具有悠久的历史和深厚的学术研究价值。在对西安鼓乐长达五十余年的研究历程中,理论研究队伍不断壮大,研究成果丰硕,学术影响力也日益受到学界和社会关注,主要集中于史学、乐律学、乐谱学、曲词学、音乐形态学、乐器学等研究领域,具体反映在学术论文、曲谱集和学术专著三个方面。从研究趋向来看,主要集中于历史溯源以及音乐本体的分析研究层面。而对西安地区民间鼓乐社与铜器社在庙会民俗活动中演唱、演奏的音乐形式“念词”、“歌章”,则关注不多,理论著述成果较少,是一个长期被忽视的学术研究领域。目前仅见到李石根的《流行在西安地区的民间念词音乐》、燕宁的《长安古乐的歌章》以及褚历的《西安鼓乐中的民间宗教仪式歌曲——念词》三篇专题论文,学界涉猎不深,是一个值得深入挖掘的研究课题。笔者亦真诚希望能够通过此课题的系统研究,对拓展西安鼓乐研究领域作积极的思考与探索。笔者先后对都城隍庙鼓乐社、大吉昌鼓乐社、东仓鼓乐社、周至县南集贤东、西村鼓乐社、何家营鼓乐社以及府三学古铜器社、端履门朝贺巷古铜乐社、南四府街古红庙鼓乐社、保吉巷古铜乐社、城北联志村古铜器社以及西关王家巷古铜器社等民间乐社进行了实地调查,对上述乐社流传的十一首念词歌调及相关唱词进行了细致的搜集、记谱整理、音乐形态分析以及理论阐述,一定程度上起到了搜集整理及汇编的作用。本文在大量实地调查的基础上,对念词、歌章的概念界定、所依附的乐社概况、赞以及唱词曲调和伴奏乐器的音乐形态分析、庙会民俗活动中的表演程序、受众原因以及传承、保护及创新等方面进行了细致的理论阐述,并结合多视角、全观性的研究策略,借助社会学、民俗学、文化人类学等多学科的理论,对其发展及现状进行学理追问,力求将念词、歌章作为一种音乐文化现象来认知和体验。
[Abstract]:Xi'an drum music, also known as "fine music" or "musical instrument" among the people, is popular in Xi'an City, Shaanxi Province, as well as in the counties adjacent to the foothills of the South China Mountains. It is a large folk music ensemble that inherits the posthumous notes of the Tang and Song dynasties and preserves the most complete folk music. Known as a living fossil of music. Tracing back to its historical origin, the comprehensive analysis of the literature and materials from the aspects of music spectrum, palace tune system, music structure, music name and musical instrument use shows that it has close relation with the great song in Yan music in Tang Dynasty, which may have originated from the Tang Dynasty. Rising in Song and Sheng in Ming and Qing dynasties, its music itself has a long history and profound academic research value. In the research process of Xi'an drum music for more than 50 years, the theoretical research team is growing, the research results are rich, the academic influence has been paid more and more attention to by the academic circles and the society day by day, mainly concentrates on the history, the music law science, the music score science, the song ci science. The research fields of music morphology and musical instrument are reflected in three aspects: academic papers, collection of music compositions and academic monographs. From the perspective of research trend, it mainly focuses on historical traceability and the analysis and research of music Noumenon. However, the folk drum club and bronze ware club in Xi'an region sing in the folk activities of temple fairs and perform music forms such as "reciting words" and "songs and seals", but they pay little attention to them, and the theoretical works are less, which is a long neglected academic research field. At present, there are only three monographs on Li Shigen's "popular Folk recitation Music in Xi'an", Yan Ning's "Song Zhang of Chang'an Ancient Music" and Chu Li's "Folk religious ritual songs in Xi'an drum music-reciting words". The academic circles are not deep enough to dabble in them. It is a research subject worth digging deeply. The author also sincerely hopes to develop the field of Xi'an drum music research through the systematic research of this subject. The author successively studied the City God Temple drum club, the Dagichang drum club, the Dongcang drum music club, the Zhouzhi County Nanji Xian Dong, the Xicun drum club, the Ho Jia Ying drum club and the Fusanxue Ancient Bronze Society, and the Duanlumen Chaohe Xiang Ancient Bronze Music Society. Nansifu Street Guhong Temple Guyue Society, Baoji Xiang Ancient Bronze Music Society, North City Lianzhi Village Ancient Bronze Society, Xiguan Wangjia Xiang Ancient Bronze Society and other folk music clubs carried out field investigations. To the above music club, eleven songs and related lyrics are collected, recorded, music form analysis and theoretical elaboration, to a certain extent, played the role of collection and compilation. On the basis of a large number of field investigations, this paper defines the concept of recitation, song and chapter, the general situation of the music club attached to it, the music form analysis of the tune and accompaniment instrument, the performing procedure in the folk activities of temple fairs, the audience reasons and the inheritance. This paper expounds the theory of protection and innovation in detail, and discusses its development and present situation with the help of the theories of sociology, folklore, cultural anthropology, and so on, with the help of multi-angle, full-view research strategy, and the theory of sociology, folklore, cultural anthropology, and so on. Try to read words, songs as a musical cultural phenomenon to recognize and experience.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J607

【引证文献】