福雷、德彪西同词艺术歌曲《月光》的艺术特色比较及演唱处理

发布时间：2018-06-28 13:45

本文选题：福雷 + 德彪西　；参考：《南京艺术学院》2009年硕士论文

【摘要】： 法国艺术歌曲的发展始于十九世纪后半叶,福雷与德彪西是法国艺术歌曲的重要作曲家。二人同处于一个时代,受到了当时法国社会文化、政治的冲击和影响。诗歌上的象征主义和绘画上的印象主义都影响了两位作曲家的创作。福雷基本上是继承了法国文化传统的,而且在调试及和声的运用上大胆的创新,为印象主义的到来作了铺垫。德彪西为音乐的发展开辟了新的道路,他彻底颠覆了传统的音乐创作手法,用独特的音乐语言描绘事物。福雷与德彪西先后为象征派诗人魏尔伦的诗歌《月光》谱曲,分别写于1882年和1892年,虽然创作年代很接近,但却有着截然不同的创作风格。福雷的创作抒情、典雅,吻合于福雷一贯的法国贵族气质;德彪西的创作明显带有印象主义风格,无论从旋律线、调式调性的安排,还是和声的应用,无不透露出德彪西浓重的个人色彩。本文将从两位作曲家的创作风格入手,结合象征派诗歌的特点,对两首不同风格的艺术歌曲《月光》做细致的分析,并且探讨各自的演唱风格,发现其中的联系与区别,以期对演唱这两首歌曲的演唱者有些许的帮助。
[Abstract]:The development of French art songs began in the second half of the nineteenth century. Fre and Debussy were important composers of French art songs. Both of them were in the same era and were impacted and influenced by the culture and politics of France at that time. Symbolism in poetry and impressionism in painting influenced the creation of the two composers. Frey basically inherited the French cultural tradition and made bold innovations in debugging and using harmony, which paved the way for the arrival of impressionism. Debussy opened up a new way for the development of music. Frey and Debussy wrote Moonlight for the symbolic poet Verren in 1882 and 1892 respectively. Although they were very close to each other, they had quite different writing styles. Foley's creation is lyrical, elegant, consistent with the French aristocratic temperament of Frey; Debussy's creation is obviously impressionistic, whether from the melodic line, the tonal arrangement, or the application of harmony. All revealed Debussy's strong personal color. This article will start from the two composers' creation style, unifies the symbolism poetry characteristic, will do the careful analysis to two different style artistic songs "moonlight", and will discuss each other's singing style, discovers the connection and the difference, In order to sing the two songs of the singer has a little help.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J616.2

【共引文献】