继承和超越—几首帕萨卡里亚作品的分析与比较

发布时间：2018-07-03 07:36

本文选题：帕萨卡里亚 + 继承　；参考：《山东大学》2009年硕士论文

【摘要】： 西方音乐在20世纪呈现出多元化的纷繁局面。对于传统的怀疑和决裂,不仅表现在对19世纪音乐的反叛,甚至抛弃自文艺复兴以来的各种音乐准则。但是仍然有不少作曲家执着于传统音乐的创作,一些在现代音乐历史上享有重要地位的大师们,就以帕萨卡里亚一这种古老的固定低音复调变奏艺术形式,创作了许多优秀的作品,形成现代音乐创作领域里一个令人瞩目的艺术现象。本文第一章回溯历史,以巴赫和勃拉姆斯的帕萨卡里亚作品作为分析对象,概述了帕萨卡里亚的形成和发展。第二章重点讲述20世纪帕萨卡里亚的发展,并从20世纪最具代表性的不同流派作曲家的创作中选取了4部帕萨卡里亚作为研究对象,对它们逐一进行分析研究。关于现代帕萨卡里亚作品对传统的继承与超越的全面的比较分析在第三章。第四章从美学的角度看帕萨卡里亚。
[Abstract]:In the 20 ~ (th) century, western music presented a diversified and complicated situation. The doubt and break with tradition is not only reflected in the rebellion against the music of the 19th century, but also in the abandonment of various musical norms since the Renaissance. But there are still many composers who are obsessed with the creation of traditional music. Some of the masters who have played an important role in the history of modern music have used the ancient art form of the fixed bass polyphonic variation of Pasakaria. Many excellent works have been created, forming a remarkable artistic phenomenon in the field of modern music creation. The first chapter of this paper looks back to history, taking Bach and Brahms' Pasakaria works as the object of analysis, summarizes the formation and development of Pasakaria. The second chapter focuses on the development of Pasacaria in the 20th century, and selects four pieces of Pasacaria from the most representative composers of different schools in the 20th century to analyze and study them one by one. A comprehensive comparative analysis of the inheritance and transcendence of tradition in modern Pasakaria's works is made in Chapter 3. Chapter four looks at Pasacaria from the point of view of aesthetics.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J605

【引证文献】