电子音乐作品的“分层解读法”研究

发布时间：2018-07-10 16:09

本文选题：分层解读 + 声音媒介　；参考：《中央音乐学院》2010年博士论文

【摘要】： 20世纪后半叶,电子音乐“形成了一个较为复杂而庞大的族群”,并步入了快速发展的时期,作品数量众多、种类繁复。由于“传统音乐”与电子音乐在音乐分析对象上存在明显差异。“传统音乐”主要以音符形态作为分析对象；而电子音乐主要以音响形态作为分析对象。两者之间形成了不同的符号体系-即“传统音乐”形成的“音符体系”和电子音乐形成的“声音体系”。所以适用于音符体系的传统音乐分析理论不能够在电子音乐作品中照搬使用。因此,近年来无论从教学、研究、创作等方面,电子音乐的分析都成为当今理论家和作曲家不得不面对的课题。本论文所阐述的电子音乐作品的“分层解读法”,是基于现象学大师胡塞尔的对艺术作品意向性理论,并从审美现象学角度来审视电子音乐作品的分析法。胡氏认为“艺术是一种结构性存在”,并强调了艺术作品在主体与被意识客体之间的关系结构。而其学生英伽登在此基础上建立了由物质、形式、存在三方面组成的本体论,并在《文学的艺术作品》中提出了对文本的结构层次理论,即“语音”、“语义”、“系统方向”和“被表现的客体层”四个结构层次。本论文将胡塞尔、英迦登意向性理论引用和借鉴到电子音乐作品分析的理论和实践中,大胆地提出“分层解读法”,即透过“声音媒介层”、“音乐语汇层”、“系统方向”和“作品意蕴层”四个层次,借助于现代计算机工具,融合传统音乐作品分析精华来对电子音乐作品进行一种综合分析。利用数字化时代的各种音频测量软件对“声音媒介层”“语汇形象层”进行可视化分析研究,从胡塞尔的审美现象学角度出发，，用感性智慧对电子音乐作品的“系统方向层”和“作品意蕴层”进行深入解读。绪论中概述了“传统音乐”与电子音乐作品分析理论的发展现状。第一章设计和提出“分层解读法”的具体实施方案以及分析方法纲要；第二章具体实施“分层解读法”,选用了“具体音乐”、“磁带音乐”、“电子声学音乐”、“计算机音乐”和“多媒体音乐”五个不同时期的五首经典作品,首次试用“分层解读法”进行逐层分析,意在对这种“由表及里,逐层渗透”的新方法进行可行性探索实验；第三章概述电子音乐分析的多样性、特殊性、复杂性,并从“多元并存”的后现代艺术发展观的角度进一步说明“分层解读法”的现实意义。分层解读法”不是包治百病的分析法,而是一种开放、融合、创新的综合分析法。作为一门音乐与科技交缘,理论与实践为一体的新兴学科,电子音乐分析理论目前充满了机遇和挑战。希望“分层解读法”的提出对当今的教学、创作以及电子音乐分析理论发展具有一定的启示作用,并随着时代的发展进一步的改进、完善。
[Abstract]:In the second half of the 20th century, electronic music "formed a complex and huge ethnic group" and entered a period of rapid development. There are obvious differences between traditional music and electronic music on the object of music analysis. The traditional music mainly takes the note form as the analysis object, while the electronic music mainly takes the sound form as the analysis object. There are different symbol systems between them, that is, the note system formed by traditional music and the sound system formed by electronic music. Therefore, the traditional music analysis theory, which is suitable for the system of notes, can not be used in electronic music works. Therefore, in recent years, the analysis of electronic music has become a subject that theorists and composers have to face in terms of teaching, research and creation. The "layered interpretation" of electronic music works described in this paper is based on Husserl's theory of intentionality of works of art and the analysis of electronic music works from the perspective of aesthetic phenomenology. Hu thinks that "art is a kind of structural existence" and emphasizes the relationship between the subject and the object of consciousness. On the basis of this, Ingatton, a student, establishes the ontology of substance, form and existence, and puts forward the theory of structural hierarchy of the text in his works of Art in Literature, that is, "phonetic" and "semantic". System orientation and object layer are four levels of structure. This paper applies Husserl's and Ingadden's intentionality theory to the theory and practice of the analysis of electronic music works, and puts forward boldly the method of "layered interpretation", that is, through "sound media layer" and "musical lexical layer". With the help of modern computer tools, the four levels of "system orientation" and "meaning layer of works" are combined with the essence of traditional music works to make a comprehensive analysis of electronic music works. By using various audio measurement software in the digital age, the visual analysis and research on the "voice media layer" and "vocabulary image layer" are carried out, and from the perspective of Husserl's aesthetic phenomenology, With perceptual wisdom, the systematic direction layer and the meaning layer of electronic music works are deeply interpreted. The introduction outlines the development of traditional music and electronic music analysis theory. The first chapter designs and puts forward the concrete implementation plan and the analysis method outline of the "layered interpretation method", the second chapter concretely implements the "layered interpretation method", selects "specific music", "tape music", "electronic acoustics music", "computer Music" and "Multimedia Music" in five different periods of five classical works, the first use of "layered interpretation" to analyze the new method is intended to "from the outside to the inside, layer by layer" of the new method of feasibility exploration experiment; The third chapter summarizes the diversity, particularity and complexity of electronic music analysis, and further explains the practical significance of "layered interpretation method" from the perspective of "pluralistic coexistence" postmodern artistic development view. Delamination is not a comprehensive method for treating all diseases, but an open, integrated and innovative analysis method. As a new subject of music and science, theory and practice, the theory of electronic music analysis is full of opportunities and challenges. It is hoped that the introduction of "layered interpretation method" will have some enlightening effect on the teaching, creation and the development of electronic music analysis theory, and will be improved and perfected with the development of the times.
【学位授予单位】：中央音乐学院
【学位级别】：博士
【学位授予年份】：2010
【分类号】：J618

【引证文献】