《弗兰克A大调小提琴与钢琴奏鸣曲》文本与演绎研究—及引发的演奏美学浅思

发布时间：2018-07-11 17:55

本文选题：作品分析 + 演绎比较　；参考：《上海音乐学院》2009年硕士论文

【摘要】： 塞西尔·弗兰克(Cesar Franck1822-1890)是法国19世纪民族乐派的代表人之一,A大调小提琴与钢琴奏鸣曲是他唯一的一部小提琴作品,小提琴演奏史上极为重要的经典作品之一。本文拟以弗兰克小提琴奏鸣曲的文本和演绎分析为切入点,探讨音乐表演中忠实性与创造性相统一的重要性。第一章通过A大调小提琴与钢琴奏鸣曲的曲式分析、创作特征及相关背景资料,探究表演忠实性的理论参考依据。第二章通过分析、梅纽因、费拉斯、大卫·奥依斯特拉赫、郑京和四位演奏家的演奏版本比较,分析其演绎特征及其演奏风格的成因,客观的呈现创造性在演奏中的具体反映。并简介近代演奏美学的发展趋势。第三章试图探讨演奏中忠实性与创造性相统一的先决条件。
[Abstract]:Cecil Frank (Cesar Franck1822-1890) is one of the representatives of the French national music school in nineteenth Century. The violin and Piano Sonata in the A major is the only one of his violin works and one of the most important classical works in the history of violin performance.
This paper, based on the text and deductive analysis of Frank's Violin Sonata, discusses the importance of the unity of faithfulness and creativity in the music performance. The first chapter, through the analysis of the musical forms of the violin and Piano Sonata in the A major, the creative features and the relevant background information, explores the theoretical reference for the faithfulness of the table. The second chapters pass through The analysis, Menuhin, Ferras, David austenrah, Zheng Jinghe four performers of the performance version comparison, analysis of its deductive characteristics and the causes of the playing style, objectively presenting the specific reflection of creativity in the performance. And brief introduction of the development trend of modern performance aesthetics. The third chapter tries to explore the fidelity and creativity in performance. A prerequisite for unity.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J628

【引证文献】