试论南词和弹词音乐的共同点
发布时间：2018-07-17 03:09
【摘要】：本文从三方面(即"凤点头"、落音、"哎头")来说明,"南词"和"弹词"两者具有较多的共同点。除这些共同点之外,还想说明,一、"凤点头"的形式,非苏州弹词所特有,它是"南词"和"弹词"(甚至更多)共有的腔、词句式。二、[赋调]、[词调]均脱胎于[平湖调],为平湖系统的两个分支,而不是像有的专家分析的"三个系统"或"三个腔系"等;三、"南词"和"弹词"的基本调,虽有分有合,但其"源",来自于清乾隆年间的[平湖调],[平湖调]是腔系,是系统,而[赋调]、[词调]是平湖系统(或平湖腔系)的两个分支。
[Abstract]:This paper explains from three aspects (i.e. "Feng nod", "falling tone", "ah head") that "Nan ci" and "Tanci" have more common ground. In addition to these common points, I also want to explain, first, "Feng nod" form, is not unique to Suzhou Tanci, it is "South ci" and "Tanci" (or more) common cavity, sentence type. (2) both "Fu" and "ci" are derived from "Pinghu tune", which are two branches of Pinghu system, rather than "three systems" or "three cavity systems" as analyzed by some experts, and third, the basic tones of "Southern ci" and "Tanci", although there are some differences, But its "source" comes from "Pinghu tune" in Qianlong period of Qing Dynasty, Pinghu tune is a system, and "Fu" and "ci tune" are two branches of Pinghu system (or Pinghu cavity system).
【作者单位】： 浙江艺术职业学院科研处;
【分类号】：J826;J617.5
本文编号：2128742
[Abstract]:This paper explains from three aspects (i.e. "Feng nod", "falling tone", "ah head") that "Nan ci" and "Tanci" have more common ground. In addition to these common points, I also want to explain, first, "Feng nod" form, is not unique to Suzhou Tanci, it is "South ci" and "Tanci" (or more) common cavity, sentence type. (2) both "Fu" and "ci" are derived from "Pinghu tune", which are two branches of Pinghu system, rather than "three systems" or "three cavity systems" as analyzed by some experts, and third, the basic tones of "Southern ci" and "Tanci", although there are some differences, But its "source" comes from "Pinghu tune" in Qianlong period of Qing Dynasty, Pinghu tune is a system, and "Fu" and "ci tune" are two branches of Pinghu system (or Pinghu cavity system).
【作者单位】： 浙江艺术职业学院科研处;
【分类号】：J826;J617.5
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