悲壮挽歌——浅析《霸王卸甲》刘德海演奏谱
发布时间:2018-07-27 19:19
【摘要】:《霸王卸甲》刘德海演奏谱是一首悲壮挽歌,唱出了霸王项羽的英雄气概,唱出了铁汉柔情,人物情感的表达是其精华所在。《霸王卸甲》的曲体结构为综合体式,以变奏原则为主贯穿全曲的主体部分,局部综合了对比原则。刘德海演奏谱的结构是典型的中国曲式结构:散板—快板—散板,再细分为散—中—快—慢—散。笔者从曲式分析、技巧分析、传承等角度分析《霸王卸甲》刘德海演奏谱,为喜爱此曲的同仁们提供有价值的参考。
[Abstract]:"Overlord 'unload" is a solemn and solemn elegy, singing the heroic spirit of Xiang Yu, singing the heroic spirit of the overlord, singing the iron man's tenderness, the expression of the characters' emotion is the essence. The composition structure of "overlord" is a comprehensive style, which runs through the main part of the whole music with the principle of variation, partially comprehensive contrast principle. The knot of Liu Dehai playing spectrum. It is a typical Chinese musical structure: scattered plate - Allegro - scattered plate, and then subdivided into medium - Fast - slow - scatter. The author from the angle of musical analysis, skill analysis, inheritance and other angles analysis of "overlord 'unload > Liu Dehai performance spectrum", provides valuable reference for the colleagues who love this song.
【作者单位】: 北京戏曲学校;
【分类号】:J632.33
[Abstract]:"Overlord 'unload" is a solemn and solemn elegy, singing the heroic spirit of Xiang Yu, singing the heroic spirit of the overlord, singing the iron man's tenderness, the expression of the characters' emotion is the essence. The composition structure of "overlord" is a comprehensive style, which runs through the main part of the whole music with the principle of variation, partially comprehensive contrast principle. The knot of Liu Dehai playing spectrum. It is a typical Chinese musical structure: scattered plate - Allegro - scattered plate, and then subdivided into medium - Fast - slow - scatter. The author from the angle of musical analysis, skill analysis, inheritance and other angles analysis of "overlord 'unload > Liu Dehai performance spectrum", provides valuable reference for the colleagues who love this song.
【作者单位】: 北京戏曲学校;
【分类号】:J632.33
【参考文献】
相关期刊论文 前1条
1 陈应时;论传统琵琶曲谱的小标题——从《霸王卸甲》谱谈起[J];中国音乐;1986年04期
【共引文献】
相关期刊论文 前10条
1 孟璐;;琵琶曲《龙船》运用的演奏技法分析(上)——琵琶曲《龙船》三个版本中运用的基本演奏技法分析[J];北方音乐;2009年03期
2 吴喜;;浅析琵琶左、右手训练中的几个问题[J];时代教育;2007年24期
3 杨丹;;琵琶文曲——《陈隋》[J];大舞台;2011年03期
4 杨s,
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