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“多元一体”的胡琴音乐文化——在中央音乐学院2012“胡琴艺术节”上的发言

发布时间:2018-07-27 20:12
【摘要】:正听到中央音乐学院近期将举行"胡琴艺术节"的消息,我的心情颇为复杂。既有些兴奋,又有点沉重,也还有一种期待。所以兴奋,是因为主办者选择了"胡琴"这一"主词"来表达他们的学术视野和艺术襟怀,从而可能给庞大的中国胡琴家族提供某种新的成长机遇;所以沉重,是想到过去几十年我们对于这个家族主要成员,例如二胡、板胡、高胡等汉民族擦弦乐器曾予以高度的重视,使它们获得了历史性的进步,而对于同样代表着某个民族、某个地区传统文化的其他成员却缺
[Abstract]:Hearing the news that the Central Conservatory of Music will hold the Huqin Festival in the near future, my mood is quite mixed. Both a little excited, but also a little heavy, but also a kind of expectation. So excited, because the organizers chose "Hu Qin" as a "subject" to express their academic vision and artistic broadmindedness, which may provide some new growth opportunities for the huge Hu Qin family in China; so they are heavy. It is to think that in the past few decades we have attached great importance to the erhu, Banhu, Gao Hu and other Han nationality stringed musical instruments, which have made them historic progress, and to the people who also represent a certain nation. Other members of traditional culture in a region are missing
【作者单位】: 中国艺术研究院;杭州师范大学;
【分类号】:J632


本文编号:2149008

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