质疑《声无哀乐论》——读评《声无哀乐论》兼议《音心对映论》
发布时间：2018-07-28 17:26
【摘要】：文章首次将《声无哀乐论》和《音心对映论》作为迄今为止《乐记》研究中最具代表性的文章相提并论,并以一种全新的角度系统地对《声无哀乐论》进行读评,肯定其与《乐记》一脉相承,同时提出嵇康以《声无哀乐论》反对《乐记》的"音有哀乐论"是文不对题,遂分类归纳其谬并予以评论。但又提出其谬许是作者"故意制造错觉,静观对方的智慧如何"的假设。文章认为《音心对映论》与《声无哀乐论》从命题看,完全相反,但后者的某些论点与前者又基本一致。《音心对映论》对于《乐记》"和律论"的挖掘,使当代音乐美学研究注重了以人为本。
[Abstract]:For the first time, this paper compares the Theory of Sound without sadness with the Theory of reflection of Sound Heart as the most representative article in the study of Le Ji so far, and systematically reads and comments on the Theory of Sound without sadness from a new angle. It is affirmed that it is in the same line with Le Ji, and at the same time, it is proposed that Ji Kang's "Theory of Sound and sadness" opposed to "Le Ji" is a wrong topic, so it is classified and summed up and commented on. However, the myth is that the author deliberately creates an illusion and waits to see the wisdom of the other side. This paper holds that the "sound-heart theory" and "the theory of voice without sorrow" are completely opposite from the proposition, but some of the latter's arguments are basically the same as the former. Make contemporary music esthetics research pay attention to people-oriented.
【作者单位】： 西北师范大学音乐学院;
【分类号】：J601
[Abstract]:For the first time, this paper compares the Theory of Sound without sadness with the Theory of reflection of Sound Heart as the most representative article in the study of Le Ji so far, and systematically reads and comments on the Theory of Sound without sadness from a new angle. It is affirmed that it is in the same line with Le Ji, and at the same time, it is proposed that Ji Kang's "Theory of Sound and sadness" opposed to "Le Ji" is a wrong topic, so it is classified and summed up and commented on. However, the myth is that the author deliberately creates an illusion and waits to see the wisdom of the other side. This paper holds that the "sound-heart theory" and "the theory of voice without sorrow" are completely opposite from the proposition, but some of the latter's arguments are basically the same as the former. Make contemporary music esthetics research pay attention to people-oriented.
【作者单位】： 西北师范大学音乐学院;
【分类号】：J601
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