湘中新化陶情山歌及演唱艺术研究
发布时间：2018-08-02 16:06
【摘要】： 新化山歌是中华民歌中的一颗璀璨的明珠。新化的情歌是新化山歌中数量最多、生命力极强、极具特色的歌种。它历史悠久、内涵丰富、曲调多样、音调悠扬、音色纯美、亲切自然。本文从音乐学及民族声乐理论的角度,对新化陶情山歌的音乐特征及演唱特色进行了全面的研究,重点对陶情山歌的语言特色、调性、曲式以及审美情趣进行了研究。同时,将歌唱理论总结与演唱艺术实践结合,探索民歌演唱如何体现民族性、科学性、艺术性的普遍原则,也是本文研究的目的。期望为当代民族声乐教学与演唱之实践的进步与民族声乐理论的发展提供某些可供参考借鉴的意见。 本文共分五章。内容上大致可分为四个部分：第一章主要是对新化陶情山歌的历史背景及起源做了一个系统的概述；第二、三章属于第二部分,是对新化陶情山歌的表现手法、格律特征及旋律特征进行了详细的分析。由于其独具艺术特色的即兴行腔、以腔行字成歌的方法,使得它的节奏丰富,旋律形式多变,曲式结构多样化。以达到寻求这一山歌与中国其他地方山歌的不同处,突出其特性；第四部分即第四章,主要探讨了新化陶情山歌的演唱特点、语言特色及衬词的运用。由于新化独特的地形地貌,“旧不予中国通”,以致探寻新化陶情山歌是在怎样的语境中演唱的,以及它们的独特的语言和衬词；第四部分即第五章,简略的概述了新化陶情山歌的传承与发展。陶情山歌被列入国家非物质文化遗产的一部分,它是经由怎样的形式得以保存和发展的,歌手是如何传承山歌的。 在具体研究过程中,笔者通过实地考察、采访、音像分析等手段,就新化陶情山歌的历史源流、音乐特征、演唱方法、审美追求、传承方式、审美价值等问题进行了一定的思考与剖析。笔者认为,新化陶情山歌在梅山地区已流传了近二千多年,具有广泛的民间基础,是梅山地区民众生活的重要组成部分,它时刻伴随着人们的生产、生活活动,是人们最主要的精神娱乐方式,同时也是它们思想情感的集中体现。它们深深扎根于梅山地区的文化传统和文化历史之中,是一笔宝贵的无形文化遗产。 据笔者了解,已有的关于新化山歌的研究,随着国家民间文化遗产抢救工程的正式启动,应该说已取得了可喜的成就。但根据已经公开的文本,关于梅山文化方面的文本居多,对新化山歌的研究也只停留在比较浅显的表面上,相对来说对新化陶情山歌本体的研究还是一个空白。笔者想通过对新化陶情山歌的现场学习和演唱,增加了对陶情山歌的理性认识,丰富了自己的艺术体验。介于笔者对本文的基础性研究,将为今后的进一步研究创造条件。
[Abstract]:Xinhua folk song is a bright pearl in Chinese folk songs. Xinhua love song is the largest number of Xinhua folk songs, very strong vitality, extremely characteristic song species. It has a long history, rich connotation, diverse tunes, melodious tones, pure timbre, kind and natural. From the point of view of musicology and national vocal music theory, this paper makes a comprehensive study on the musical characteristics and singing characteristics of Xinhua pottery folk songs, focusing on the language characteristics, tonality, musical form and aesthetic taste of the folk songs. At the same time, combining the singing theory with the practice of singing art, it is the purpose of this paper to explore how to embody the national, scientific and artistic universal principles of folk song singing. It is expected to provide some reference suggestions for the progress of the practice of teaching and singing of national vocal music and the development of the theory of national vocal music. This paper is divided into five chapters. The content can be roughly divided into four parts: the first chapter is a systematic overview of the historical background and origin of Xinhua pottery folk songs; the second, three chapters belong to the second part, which is the expression of Xinhua pottery folk songs. The characteristics of rhythm and melody are analyzed in detail. Because of the improvisation of its unique artistic characteristics, it has rich rhythm, varied melodic form and diversified musical structure. In order to seek the difference between this folk song and other Chinese folk songs, the fourth part, the fourth chapter, mainly discusses the singing characteristics, language characteristics and the use of lyrics. Because of the unique terrain and landform of Xinhua, "the old does not know how to use China", so as to explore the context in which Xinhua's sentimental folk songs are sung, as well as their unique language and contrasting words; the fourth part is the fifth chapter. This paper briefly summarizes the inheritance and development of Xinhua pottery folk songs. It is listed as part of the national intangible cultural heritage, which is preserved and developed in what form, and how the singer inherits it. In the concrete research process, the author through the field investigation, the interview, the audio-visual analysis and so on means, the historical origin, the music characteristic, the singing method, the esthetic pursuit, the inheritance way of the Xinhua pottery folk song, Aesthetic value and other issues have been considered and analyzed. The author believes that Xinhua pottery folk songs have been circulating in Meishan area for more than two thousand years. They have a broad folk foundation and are an important part of people's life in Meishan area. It is always accompanied by people's production and living activities. It is the most important way of spiritual entertainment, but also the concentrated embodiment of their thoughts and emotions. They are deeply rooted in the cultural tradition and cultural history of Meishan area and are a valuable intangible cultural heritage. According to my understanding, the existing research on Xinhua folk songs, with the official start of the national folk cultural heritage rescue project, should be said to have made gratifying achievements. But according to the published text, most of the texts about Meishan culture, the study of Xinhua folk songs is only on a relatively simple surface, relatively speaking, the research on the Noumenon of Xinhua pottery folk songs is still a blank. The author wants to increase the rational understanding and enrich his own artistic experience by studying and singing the Xinhua folk songs on the spot. The author's basic research will create conditions for further research in the future.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J607
本文编号：2159967
[Abstract]:Xinhua folk song is a bright pearl in Chinese folk songs. Xinhua love song is the largest number of Xinhua folk songs, very strong vitality, extremely characteristic song species. It has a long history, rich connotation, diverse tunes, melodious tones, pure timbre, kind and natural. From the point of view of musicology and national vocal music theory, this paper makes a comprehensive study on the musical characteristics and singing characteristics of Xinhua pottery folk songs, focusing on the language characteristics, tonality, musical form and aesthetic taste of the folk songs. At the same time, combining the singing theory with the practice of singing art, it is the purpose of this paper to explore how to embody the national, scientific and artistic universal principles of folk song singing. It is expected to provide some reference suggestions for the progress of the practice of teaching and singing of national vocal music and the development of the theory of national vocal music. This paper is divided into five chapters. The content can be roughly divided into four parts: the first chapter is a systematic overview of the historical background and origin of Xinhua pottery folk songs; the second, three chapters belong to the second part, which is the expression of Xinhua pottery folk songs. The characteristics of rhythm and melody are analyzed in detail. Because of the improvisation of its unique artistic characteristics, it has rich rhythm, varied melodic form and diversified musical structure. In order to seek the difference between this folk song and other Chinese folk songs, the fourth part, the fourth chapter, mainly discusses the singing characteristics, language characteristics and the use of lyrics. Because of the unique terrain and landform of Xinhua, "the old does not know how to use China", so as to explore the context in which Xinhua's sentimental folk songs are sung, as well as their unique language and contrasting words; the fourth part is the fifth chapter. This paper briefly summarizes the inheritance and development of Xinhua pottery folk songs. It is listed as part of the national intangible cultural heritage, which is preserved and developed in what form, and how the singer inherits it. In the concrete research process, the author through the field investigation, the interview, the audio-visual analysis and so on means, the historical origin, the music characteristic, the singing method, the esthetic pursuit, the inheritance way of the Xinhua pottery folk song, Aesthetic value and other issues have been considered and analyzed. The author believes that Xinhua pottery folk songs have been circulating in Meishan area for more than two thousand years. They have a broad folk foundation and are an important part of people's life in Meishan area. It is always accompanied by people's production and living activities. It is the most important way of spiritual entertainment, but also the concentrated embodiment of their thoughts and emotions. They are deeply rooted in the cultural tradition and cultural history of Meishan area and are a valuable intangible cultural heritage. According to my understanding, the existing research on Xinhua folk songs, with the official start of the national folk cultural heritage rescue project, should be said to have made gratifying achievements. But according to the published text, most of the texts about Meishan culture, the study of Xinhua folk songs is only on a relatively simple surface, relatively speaking, the research on the Noumenon of Xinhua pottery folk songs is still a blank. The author wants to increase the rational understanding and enrich his own artistic experience by studying and singing the Xinhua folk songs on the spot. The author's basic research will create conditions for further research in the future.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J607
【引证文献】
相关期刊论文 前1条
1 谢萍;;论湖南新化山歌的语言艺术[J];中国音乐;2012年03期
相关硕士学位论文 前1条
1 何晓倩;重庆市木洞山歌研究[D];四川音乐学院;2011年
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