武满彻晚期乐队作品的音响研究

发布时间：2018-10-08 10:16

【摘要】： 武满彻(1930-1996)是日本现当代最具代表性的作曲家,在国际乐坛享有极高的知名度并具有广泛的影响力。在他创作的三百多部音乐作品中,晚期乐队作品占有重要地位,它们深刻体现出武满彻执著于追求艺术的超越性与永恒性,表达他对自然、宇宙和生命的感悟与沉思,彰显其对当下文化问题的独到之思。本文共分为五章,外加前言和尾声。前言主要阐明论文的缘起和意义,对武满彻以及其晚期作品进行了总体概述,并简明阐述了本文的研究方法。第一章论述了晚期乐队作品中的和声。和声是其音响的本质性因素。该章包括四小节:和声的纵向维度、和声的横向维度、和声的分层结构以及调性。第二章论述了晚期乐队作品中的织体,也包括四小节:织体的多变性、织体的统一性、织体的具体表现形态以及织体间的横向运动。这一章与第三章息息相关,可以说是第三章的引入部分。第三章论述晚期乐队作品中的音色,这一章是全文的重点,分为八个方面来论述:管弦乐的编制、音色叠加技术、音响的“底色”、音色的“蒙太奇”技术——音色切换技术、多彩的出音法对音色渲染作用、高潮或高点的音色处理技术、音色节奏以及音色整体布局研究以及音色结构力。论文的第四章主要论述晚期乐队作品中的结构、节奏节拍和力度速度。最后一章论述了晚期乐队作品的美学思维,这是全文的升华部分,着重论述武满彻美学思维的具体表现形态、美学思维的源泉以及乐队作品中的意境之美。论文尾声部分论述了研究武满彻晚期乐队作品对我们当下创作的现实意义,并提出我们当下的创作需要回归本土立场、回归生命意识的观点。
[Abstract]:Wu Manchu (1930-1996) is the most representative composer of modern and contemporary Japan, enjoying a high reputation and extensive influence in the international music world. Among his more than 300 musical works, the late band works played an important role, which deeply embodied Wu Man-chiu 's persistent pursuit of transcendence and permanence of art, and expressed his understanding and contemplation of nature, universe and life. To reveal its unique thinking on the current cultural issues. This article is divided into five chapters, plus preface and end. The preface mainly clarifies the origin and significance of the thesis, summarizes Wu Manchu and his later works, and briefly expounds the research methods of this paper. The first chapter discusses the harmony in the late band works. Harmony is the essential factor of sound. This chapter consists of four sections: longitudinal dimension of harmony, horizontal dimension of harmony, hierarchical structure and tonality of harmony. The second chapter discusses the texture in the late band works, including four sections: the variability of the texture, the unity of the texture, the specific manifestation of the texture and the horizontal movement between the textures. This chapter is closely related to the third chapter, can be said to be the introduction of the third chapter. The third chapter discusses the timbre in the late band works. This chapter is the focus of the paper and is divided into eight aspects: orchestral composition, timbre superposition technology, sound "background color", timbre "montage" technique-timbre switching technology. Multi-tone rendering, high or high tone color processing technology, tone rhythm and tone overall layout and tone color structure force. The fourth chapter mainly discusses the structure, rhythm and speed of the late band works. The last chapter discusses the aesthetic thinking of the late band works, which is the sublimation of the full text, focusing on the specific performance of Wu Manchu's aesthetic thinking, the source of aesthetic thinking and the beauty of artistic conception in the band's works. In the last part of the thesis, the author discusses the realistic significance of studying the late band works of Wu Man Chou to us, and puts forward the point of view that we should return to our native position and life consciousness in our present creation.
【学位授予单位】：首都师范大学
【学位级别】：博士
【学位授予年份】：2009
【分类号】：J605

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