论一致性原则在勋伯格《钢琴小品六首》（Op.19）中的体现
发布时间：2018-10-09 16:11
【摘要】： 勋伯格是二十世纪最重要的作曲家之一,他创立了十二音作曲技法和音乐上的表现主义风格。在创作过程中,勋伯格特别强调乐曲中的“一致性’(Coherence),通过各种手段,比如音级数、动机、旋律型、乐句、节奏、力度等等来保持无调性乐曲中的一致性。 在勋伯格大量的音乐作品中,钢琴作品占据着很重要的地位,展现了勋伯格音乐作品中独特的一面。这些钢琴作品贯穿于勋伯格创作的各个时期,反映了他创作技巧的发展过程。勋伯格的钢琴作品彻底改变了音乐结构的基础,他的每一首钢琴作品,都是现代钢琴音乐发展的里程碑。 勋伯格的《钢琴小品六首》作品第19号(Sechs Kleine Klavierstucke)一共由六首小品组成,是他的创作进入无调性阶段的代表作之一。这部作品集中体现了勋伯格钢琴曲的一个重要特征——“一致性”原则。作为一组比较适合于学习勋伯格钢琴曲的入门作品,这几首乐曲短小凝练,采用表现主义风格,每一首都在创作上体现着自己的特色。有些人认为这儿首曲子没有音乐思想,或者只是一些音乐思想的碎片,但事实上却与之恰恰相反,这些曲子中的音乐思想不仅有自己的特点,而且非常丰富和全面。勋伯格在这六首小品中,巧妙地运用音级数、节奏型,旋律、乐句、固定音型等等手法,把整部作品组合在一起,构成一个有机的整体,使这部无调性作品不论是在结构还是音乐素材上都达到了高度的统一本文对勋伯格早期钢琴作品《钢琴小品六首》作品第19号进行分析,主要针对每一首小品中的音级数、黄金分割点、段落结构、旋律特征、节奏型及其它创作技法进行研究,探讨乐曲中“简洁凝练的”特性及无调性作曲技法等等。通过对这些作曲技法的研究,来阐释勋伯格是如何在钢琴作品中保持全曲的一致性。
[Abstract]:Schoenberg was one of the most important composers of the twentieth century, creating twelve-tone composition techniques and musical expressionism. In the process of writing Schoenberg emphasized that the "consistency" (Coherence), in the music maintained consistency in the anechoic music through various means such as tone progression, motivation, melodic type, phrase, rhythm, intensity, and so on. Among Schoenberg's many musical works, piano works occupy a very important position, showing the unique side of Schoenberg's musical works. These piano works run through every period of Schoenberg's creation and reflect the development of his creative skills. Schoenberg's piano works have completely changed the foundation of music structure. Each of his piano works is a milestone in the development of modern piano music. Schoenberg's Piano essay No. 19 (Sechs Kleine Klavierstucke) consists of six pieces and is one of his masterpieces. This work epitomizes the principle of consistency, an important feature of Schoenberg's piano. As an introduction to Schoenberg's piano, these pieces are short and expressive, and each capital has its own characteristics. Some people think that there is no musical thought here, or only some pieces of musical thought, but in fact, the music thought in these songs not only has its own characteristics, but also is very rich and comprehensive. In these six pieces, Schoenberg skillfully uses the techniques of sound progression, rhythm, melody, phrase, fixed tone and so on, to combine the whole work together to form an organic whole. This anatonic work has achieved a high degree of unity in terms of structure and musical material. This paper analyzes Schoenberg's early piano works "Piano Sketch six" and works No. 19, mainly focusing on the sound levels in each piece. The Golden Section, paragraph structure, Melody characteristics, Rhythm and other creative techniques are studied, and the "concise" characteristics and non-tonality composing techniques in music are discussed. By studying these composition techniques, Schoenberg explains how Schoenberg maintains consistency in piano works.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J624.1
本文编号：2259954
[Abstract]:Schoenberg was one of the most important composers of the twentieth century, creating twelve-tone composition techniques and musical expressionism. In the process of writing Schoenberg emphasized that the "consistency" (Coherence), in the music maintained consistency in the anechoic music through various means such as tone progression, motivation, melodic type, phrase, rhythm, intensity, and so on. Among Schoenberg's many musical works, piano works occupy a very important position, showing the unique side of Schoenberg's musical works. These piano works run through every period of Schoenberg's creation and reflect the development of his creative skills. Schoenberg's piano works have completely changed the foundation of music structure. Each of his piano works is a milestone in the development of modern piano music. Schoenberg's Piano essay No. 19 (Sechs Kleine Klavierstucke) consists of six pieces and is one of his masterpieces. This work epitomizes the principle of consistency, an important feature of Schoenberg's piano. As an introduction to Schoenberg's piano, these pieces are short and expressive, and each capital has its own characteristics. Some people think that there is no musical thought here, or only some pieces of musical thought, but in fact, the music thought in these songs not only has its own characteristics, but also is very rich and comprehensive. In these six pieces, Schoenberg skillfully uses the techniques of sound progression, rhythm, melody, phrase, fixed tone and so on, to combine the whole work together to form an organic whole. This anatonic work has achieved a high degree of unity in terms of structure and musical material. This paper analyzes Schoenberg's early piano works "Piano Sketch six" and works No. 19, mainly focusing on the sound levels in each piece. The Golden Section, paragraph structure, Melody characteristics, Rhythm and other creative techniques are studied, and the "concise" characteristics and non-tonality composing techniques in music are discussed. By studying these composition techniques, Schoenberg explains how Schoenberg maintains consistency in piano works.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J624.1
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