李遇秋《惠山泥人印象》研究

发布时间：2018-10-10 15:13

【摘要】： 李遇秋先生是我国20世纪著名的作曲家,他长期以来致力于中国手风琴音乐创作,成功的创作了《长征组曲》、《惠山泥人印象》等一系列手风琴作品,为使手风琴这种西洋乐器深深的扎根在中国的土地上做出了突出贡献。他融汇性地吸收、借鉴了西方现代作曲技法,并巧妙地与中国传统文化及民族文化相结合,使作品具有强烈的民族风格、清新的时代气息及鲜明的个性特征。可以说李遇秋是我国手风琴史上一位有举足轻重地位的人物!《惠山泥人印象》这部组曲更是将其手风琴音乐的中国化推向了高潮。这部作品包含了四个部分,分别为:《六子戏弥陀》、《天女散花》、《阿福》、《京剧脸谱》。本文采用“整体研究”及“取点深做”的研究方法,对李遇秋的《惠山泥人印象》进行分析研究,并着重对《天女散花》及《京剧脸谱》两首有代表性的作品进行了深入、细致的作品分析及演奏技巧的探讨,论证了李遇秋在中国手风琴音乐发展中的重要贡献,以及《惠山泥人印象》这部作品在李遇秋手风琴创作中的里程碑地位。
[Abstract]:Li Yuqiu is a famous composer in China in the 20th century. He has long devoted himself to the creation of Chinese accordion music. He has successfully created a series of accordion works, such as the long March Suite, the impression of Huishan Clay Man, and so on. In order to make the accordion this western instrument deeply rooted in the land of China has made outstanding contributions. He assimilates and draws lessons from modern western composing techniques and cleverly combines with Chinese traditional culture and national culture to make his works have strong national style fresh flavor of the times and distinctive personality characteristics. It can be said that Li Yuqiu is a very important figure in the history of Chinese accordion. This work consists of four parts, namely, "Liuci Opera Maituo", "Celestial Flower", "Ah Fu", and "Beijing Opera facial composition". In this paper, the author uses the methods of "whole study" and "taking points and doing deeply" to analyze Li Yu-qiu 's "Huishan Clay Man's impression", and focuses on two representative works, "Tiannu Sanhua" and "Beijing Opera face". The detailed analysis of his works and the discussion of his performance skills demonstrate Li Yuqiu's important contribution to the development of Chinese accordion music and the landmark position of this work in Li Yuqiu's accordion creation.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J624.3

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