鲁南五大调音乐特征研究
发布时间：2018-11-03 09:02
【摘要】： 本文以鲁南五大调为研究对象,首先介绍鲁南五大调产生的地理位置及文化背景,其次分别从鲁南五大调的考源、音乐构成、音乐结构分析以及鲁南五大调的传承与保护几个方面,通过文字资料的查阅、网络媒体的搜索、专家及民间艺人的走访、田野采风及音乐结构分析等方法对鲁南五大调进行认真而详实的研究,旨在认识和了解鲁南五大调及其音乐特征,从而更好、更有效的传承与保护鲁南五大调。 除引言与结语外,文章共分五个部分。 第一章:鲁南五大调产生的地理位置及文化背景。由于鲁南地区,尤其是临沂、日照等地是古代南北连接的重要枢纽,南北交融的文化特点对其音乐也有着深远的影响,鲁南五大调除了具有山东本土的音乐特点外,还融合了南方音乐细腻委婉、优美典雅的特点。 第二章:鲁南五大调的考源。通过对鲁南五大调五种曲牌的考源,尤其是对“满江红”这一曲牌的重点研究,以期发现鲁南五大调在未进入山东前的同宗音乐性和其根源。 第三章:鲁南五大调的音乐构成。这一章由鲁南五大调的表演形式、伴奏乐器及唱腔咬字三部分组成。鲁南五大调主要有坐唱和群唱两种表演形式;伴奏乐器主要有二胡、三弦、笛子、碟子、筷子、酒盅等,非常独特;唱腔委婉圆润、字少腔多,衬词繁垫,具有装饰作用。 第四章:鲁南五大调音乐结构分析。这一章是文章的重点,运用不同的分析方法分别对“满江红”中的《四盼》、“大寄生草”中的《华容道》和“淮调”中的《耕读渔樵》进行音乐结构分析,从而对鲁南五大调的音乐特征进行认真细致地研究。 第五章;鲁南五大调的传承与保护。鲁南五大调正处于“后继乏人”的濒危状况,当地政府及文化主管部门已采取了一些有效的方法与措施,对其进行传承与保护。如:建立《鲁南五大调》保护、开发、领导小组;成立鲁南五大调研究中心;出版了《郯马民间文学集成·歌谣卷》,将已整理的《鲁南五大调》部分曲目收录到此书内;让鲁南五大调走进高校课堂等等。
[Abstract]:This paper takes the five major of southern Shandong as the research object, first introduces the geographical location and cultural background of the five major of southern Shandong, secondly, from the source of the examination of the five major of southern Shandong, the composition of music, The analysis of music structure and the inheritance and protection of the five major of Lunan, through the reference of the text materials, the search of the network media, the visit of experts and folk entertainers, In order to understand and understand the characteristics of the five major tunes of southern Shandong Province and to better inherit and protect the five major tunes of southern Shandong Province, the methods of field mining and music structure analysis are studied in detail and conscientiously in order to understand and understand the characteristics of the five major tunes of southern Shandong Province. In addition to the introduction and conclusion, the article is divided into five parts. Chapter one: the geographical location and cultural background of five major in Lunan. As southern Shandong, especially Linyi and Rizhao, are important hubs of the north-south link in ancient times, the cultural characteristics of North-South blending also have a profound impact on its music. In addition to Shandong's native musical characteristics, the five major tunes in southern Shandong have a profound impact on their music. It also combines the delicate, graceful and elegant features of southern music. Chapter two: the source of the examination in five major of Lunan. This paper studies the origin of five kinds of tunes in five major of Lunan, especially the key point of "Man Jiang Hong", in order to find out the same musicality and its root causes before entering Shandong in the fifth major of Lunan. Chapter three: the composition of music in five major of Lunan. This chapter is composed of five major performances, accompaniment instruments and singing pronunciation. In five major of Lunan, there are two kinds of performance forms: sitting singing and group singing; the accompaniment instruments mainly have erhu, Sanxian, flute, dish, chopsticks, wine cup, etc. They are very unique. Chapter four: the analysis of the music structure in five major of Lunan. This chapter is the focus of the article, using different analytical methods to analyze the music structure of "Sipan" in "Man Jiang Hong", "Huarong Road" in "Big parasitic Grass" and "farming and Reading Fishery firewood" in "Huai Diao", respectively. Therefore, the music features of five major of southern Shandong are studied carefully. Chapter five: inheritance and protection in five major of Lunan. In the five major tunes of southern Shandong Province, there is an endangered situation of "lack of successors". The local government and cultural authorities have adopted some effective methods and measures to inherit and protect them. For example, the establishment of the "Southern Shandong Province five major" protection, development and leading group; the establishment of the Lunan five major research center; the publication of the Tan-Ma Folk Literature Integrated Ballad Volume; and the inclusion in this book of some of the repertoire of the "Southern Shandong five major" repertoire; Let Lunan five major into the classroom, and so on.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J607
[Abstract]:This paper takes the five major of southern Shandong as the research object, first introduces the geographical location and cultural background of the five major of southern Shandong, secondly, from the source of the examination of the five major of southern Shandong, the composition of music, The analysis of music structure and the inheritance and protection of the five major of Lunan, through the reference of the text materials, the search of the network media, the visit of experts and folk entertainers, In order to understand and understand the characteristics of the five major tunes of southern Shandong Province and to better inherit and protect the five major tunes of southern Shandong Province, the methods of field mining and music structure analysis are studied in detail and conscientiously in order to understand and understand the characteristics of the five major tunes of southern Shandong Province. In addition to the introduction and conclusion, the article is divided into five parts. Chapter one: the geographical location and cultural background of five major in Lunan. As southern Shandong, especially Linyi and Rizhao, are important hubs of the north-south link in ancient times, the cultural characteristics of North-South blending also have a profound impact on its music. In addition to Shandong's native musical characteristics, the five major tunes in southern Shandong have a profound impact on their music. It also combines the delicate, graceful and elegant features of southern music. Chapter two: the source of the examination in five major of Lunan. This paper studies the origin of five kinds of tunes in five major of Lunan, especially the key point of "Man Jiang Hong", in order to find out the same musicality and its root causes before entering Shandong in the fifth major of Lunan. Chapter three: the composition of music in five major of Lunan. This chapter is composed of five major performances, accompaniment instruments and singing pronunciation. In five major of Lunan, there are two kinds of performance forms: sitting singing and group singing; the accompaniment instruments mainly have erhu, Sanxian, flute, dish, chopsticks, wine cup, etc. They are very unique. Chapter four: the analysis of the music structure in five major of Lunan. This chapter is the focus of the article, using different analytical methods to analyze the music structure of "Sipan" in "Man Jiang Hong", "Huarong Road" in "Big parasitic Grass" and "farming and Reading Fishery firewood" in "Huai Diao", respectively. Therefore, the music features of five major of southern Shandong are studied carefully. Chapter five: inheritance and protection in five major of Lunan. In the five major tunes of southern Shandong Province, there is an endangered situation of "lack of successors". The local government and cultural authorities have adopted some effective methods and measures to inherit and protect them. For example, the establishment of the "Southern Shandong Province five major" protection, development and leading group; the establishment of the Lunan five major research center; the publication of the Tan-Ma Folk Literature Integrated Ballad Volume; and the inclusion in this book of some of the repertoire of the "Southern Shandong five major" repertoire; Let Lunan five major into the classroom, and so on.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J607
【相似文献】
相关期刊论文 前10条
1 肖利频;试述舒曼《蝴蝶》(Op.42)的音乐特征及其主要技术课题的弹奏方法(上)[J];钢琴艺术;2002年12期
2 张薇;;走近非洲的传统音乐[J];文化学刊;2009年03期
3 杨东;;民歌《绣荷包》探源[J];歌海;2006年04期
4 李丽;;谈钢琴音乐表现的基本要素[J];黑龙江科技信息;2008年02期
5 舒达;;桑植民歌的音乐特征探析[J];音乐创作;2010年06期
6 邢丽萍;;解读《二泉映月》的艺术特征[J];新闻爱好者;2011年12期
7 黄晓晴;;《四季》如歌——柴科夫斯基钢琴套曲《四季》的音乐特征分析[J];新乡学院学报(社会科学版);2011年04期
8 李昕;北美印第安民歌同我国阿尔泰语系若干民族民歌的共同音乐特征[J];音乐研究;1987年04期
9 张艺杰;;论两类不同音乐特征的梆子腔[J];黄钟-武汉音乐学院学报;1992年03期
10 肖利频;试论舒曼《蝴蝶》(Op.2)的音乐特征及其主要技术课题的弹奏方法(下)[J];钢琴艺术;2003年02期
相关会议论文 前10条
1 刘丹;张乃尧;;模糊数学在音乐特征描述中的应用[A];2001年中国智能自动化会议论文集（上册）[C];2001年
2 董云;;关于非洲的音乐人类学研究[A];2005’北京第二届世界民族音乐学会学术研讨会论文摘要[C];2005年
3 朴，
本文编号：2307320
本文链接：https://www.wllwen.com/wenyilunwen/mzqiyue/2307320.html
