哈密地区伊吾县淖毛湖镇木卡姆班社研究
发布时间：2018-11-04 20:50
【摘要】：班社是指一个民族支系或民族社区内部被某一特定的传统音乐实践活动维系在一起的共同协作操纵某类音乐品种的、并在组织结构上居有相对稳定性的最小群体。哈密木卡姆是维吾尔古老的、传统的民间歌舞套曲之一,随着不断发展演变的历史过程,我们要对其进行传承、保护和发展,都离不开对民间木卡姆班社的研究。作为具有浓郁地方文化特色的哈密木卡姆班社,他们的生活既同于普通农民,但又有区别。作为音乐建构者(music making),其双重角色在整体生活中的体现需要深入研究和把握。从班社成员的社会地位、身份,音乐的建构(演奏曲目、演奏乐器、表演方式)及其在民俗活动中的整体表现等多方面体现班社的整体文化面貌。 本文希望阐述的核心是:对于维吾尔民间传统音乐建构者的整体音乐生活进行“深入的描述”,通过对班社音乐建构过程的描述了解哈密地区维吾尔民间音乐体系的地方性特点。全文除绪论外,正文部分共分为五个部分: 第一部分,从地理位置、历史沿革、哈密维吾尔文化的形成和哈密木卡姆的分布情况以及演绎班社的特点这四方面对哈密木卡姆形成的文化背景以及分布情况加以概述,试图揭示哈密木卡姆的地域性特点与其文化背景之间的关系; 第二部分,对淖毛湖镇木卡姆班社的现状进行描述,从地缘特征、历史沿革、班社生存环境、班社传承方式、淖毛湖镇木卡姆班社成员和班社成员特征这六方面全面阐述木卡姆班社的存在现状。 第三部分,通过对哈密淖毛湖镇维吾尔族的一系列民俗活动的介绍以及民俗活动中班社的表现。阐释淖毛湖镇木卡姆班社的音乐形态特征;第四部分,任何一个班社都是依附于民俗活动而存在的,民俗活动对于班社来说是表演空间,而班社对于民俗活动来说是必不可少的传承媒介。 结论部分,随着经济的发展,全球化进程加快。现代化正逐步覆盖全世界每一个角落,淖毛湖镇的经济发展速度之快使其成为一个具有代表性的中国新农村。随着交通的改善与网络化的发展趋势,电视、电脑、互联网、手机、DVD机等现代化的工具成为淖毛湖镇大部分农民家庭的主要娱乐媒体。据笔者观察,在大多数麦西莱甫聚会中,有部分节目是由DVD机播放的维吾尔族流行音乐取而代之的,班社的演出机会随之减少。保护班社任务迫在眉睫。笔者发现,淖毛湖镇木卡姆班社的艺人比例严重失调,艺人依然按照传统的女鼓手传承方式来传承木卡姆,而对于男艺人的培养和传承没有足够重视。在现今社会发展的环境下,男艺人的缺失对于班社的生存产生威胁。最后,笔者对班社未来发展提出了几点建议。
[Abstract]:Ban she refers to the smallest group with relative stability in the organizational structure within a national branch or community which is controlled by a certain kind of music by the cooperation of a particular traditional music practice. Hami Mukam is one of the ancient and traditional folk songs and dances in Uygur. With the development of the historical process, we must inherit, protect and develop it. As the Hami Mukambane with strong local cultural characteristics, their lives are not only the same as ordinary peasants, but also different. As a music constructor, (music making), 's dual role in the whole life needs to be deeply studied and grasped. The social status, identity, the construction of music (playing music, playing musical instruments, performing ways) and their overall performance in folklore activities reflect the overall cultural outlook of Banshe. The core of this paper is: the "deep description" of the whole music life of the Uygur folk traditional music constructors. By describing the construction process of banshe's music, the local characteristics of Uygur folk music system in Hami area are understood. In addition to the introduction, the text is divided into five parts: the first part, from the geographical location, historical evolution, The formation of Hami Uygur culture and the distribution of Hami Mukam, as well as the characteristics of deductive Banchams, summarize the cultural background and distribution of Hami Mukam. This paper attempts to reveal the relationship between Hami Mukam's regional characteristics and his cultural background. The second part describes the current situation of Mukam Banchai in Naomaohu Town, from the geographical characteristics, historical evolution, Banca survival environment, Banca inheritance, In this paper, the present situation of Mukam banshe is expounded in six aspects: the member of Mukam club and the character of the member of Mukam club. The third part introduces a series of folklore activities of Uygur nationality in Haminaomaohu Town and the performance of Bancan Society in folklore activities. To explain the music morphological characteristics of Mukam Banshe in Naomaohu town; In the fourth part, any class society is dependent on folklore activities, folklore activities are the performance space, and banshe is an indispensable medium for folklore activities. The conclusion part, along with the economic development, the globalization process speeds up. Modernization is gradually covering every corner of the world. The rapid economic development of Naomaohu Town makes it a representative new rural area in China. With the improvement of transportation and the development trend of network, modern tools such as TV, computer, Internet, mobile phone and DVD machine become the main entertainment media of most peasant families in Naomaohu Town. According to the author's observation, some of the programs were replaced by Uighur pop music played on the DVD machine in most of the Masilaifu parties, and the opportunities for Banchai to perform were reduced. The task of protecting the club is urgent. The author found that the proportion of artists in Mukam Banshe of Naomaohu Town is seriously dissonant, and the artists still pass on Mukam according to the traditional inheritance of female drummers, but they do not pay enough attention to the cultivation and inheritance of male entertainers. In the present social development environment, the lack of male artists threatens the survival of Banshe. Finally, the author puts forward some suggestions for the future development of Banshe.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J607
本文编号：2311096
[Abstract]:Ban she refers to the smallest group with relative stability in the organizational structure within a national branch or community which is controlled by a certain kind of music by the cooperation of a particular traditional music practice. Hami Mukam is one of the ancient and traditional folk songs and dances in Uygur. With the development of the historical process, we must inherit, protect and develop it. As the Hami Mukambane with strong local cultural characteristics, their lives are not only the same as ordinary peasants, but also different. As a music constructor, (music making), 's dual role in the whole life needs to be deeply studied and grasped. The social status, identity, the construction of music (playing music, playing musical instruments, performing ways) and their overall performance in folklore activities reflect the overall cultural outlook of Banshe. The core of this paper is: the "deep description" of the whole music life of the Uygur folk traditional music constructors. By describing the construction process of banshe's music, the local characteristics of Uygur folk music system in Hami area are understood. In addition to the introduction, the text is divided into five parts: the first part, from the geographical location, historical evolution, The formation of Hami Uygur culture and the distribution of Hami Mukam, as well as the characteristics of deductive Banchams, summarize the cultural background and distribution of Hami Mukam. This paper attempts to reveal the relationship between Hami Mukam's regional characteristics and his cultural background. The second part describes the current situation of Mukam Banchai in Naomaohu Town, from the geographical characteristics, historical evolution, Banca survival environment, Banca inheritance, In this paper, the present situation of Mukam banshe is expounded in six aspects: the member of Mukam club and the character of the member of Mukam club. The third part introduces a series of folklore activities of Uygur nationality in Haminaomaohu Town and the performance of Bancan Society in folklore activities. To explain the music morphological characteristics of Mukam Banshe in Naomaohu town; In the fourth part, any class society is dependent on folklore activities, folklore activities are the performance space, and banshe is an indispensable medium for folklore activities. The conclusion part, along with the economic development, the globalization process speeds up. Modernization is gradually covering every corner of the world. The rapid economic development of Naomaohu Town makes it a representative new rural area in China. With the improvement of transportation and the development trend of network, modern tools such as TV, computer, Internet, mobile phone and DVD machine become the main entertainment media of most peasant families in Naomaohu Town. According to the author's observation, some of the programs were replaced by Uighur pop music played on the DVD machine in most of the Masilaifu parties, and the opportunities for Banchai to perform were reduced. The task of protecting the club is urgent. The author found that the proportion of artists in Mukam Banshe of Naomaohu Town is seriously dissonant, and the artists still pass on Mukam according to the traditional inheritance of female drummers, but they do not pay enough attention to the cultivation and inheritance of male entertainers. In the present social development environment, the lack of male artists threatens the survival of Banshe. Finally, the author puts forward some suggestions for the future development of Banshe.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J607
【引证文献】
相关期刊论文 前1条
1 王建朝;;一方女人的音乐世界——社会性别视角下的伊吾县哈密木卡姆之女性木卡姆奇的调查研究[J];黄钟(中国.武汉音乐学院学报);2013年01期
相关硕士学位论文 前1条
1 董冰;哈密木卡姆班社调查研究[D];新疆师范大学;2012年
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