在融合中稳定发展——兼谈朱世瑞和贾国平的音乐创作
发布时间：2018-11-05 11:12
【摘要】：正如果说,自上个世纪末的改革开放使不少作曲家几乎是随着西方现代音乐风潮"跑步"进入新时代的话,那么,当今,这些作曲家的创作也均已步入"中年",他们已经能够面对世界现代文化艺术的风潮迭起而"处世不惊",理智地汲取外来音乐文化中对自己有用的东西,重新建立起对自己民族文化的自信心——这是我国当代音乐创作发展至今的最明显变化。我想举两个例子来说明自己为什么会得出这样的印象:在2009年福建艺术研究院主办的第四届《京、沪、闽现代音乐创作研讨会》上,
[Abstract]:If it is said that since the reform and opening up at the end of the last century, many composers have almost entered a new era with the trend of modern western music "running", these composers have now entered the "middle age" in their creations. They have been able to cope with the wave of modern culture and art in the world and "live in the world without surprise" and rationally draw on what is useful to them in the foreign music culture. To re-establish confidence in our national culture is the most obvious change in the development of contemporary music creation in China. I would like to cite two examples to illustrate why I came to this impression: at the fourth Beijing, Shanghai and Fujian Modern Music creation Symposium, sponsored by the Fujian Academy of Art in 2009,
【作者单位】： 中央音乐学院;
【分类号】：J614
，
本文编号：2311878
[Abstract]:If it is said that since the reform and opening up at the end of the last century, many composers have almost entered a new era with the trend of modern western music "running", these composers have now entered the "middle age" in their creations. They have been able to cope with the wave of modern culture and art in the world and "live in the world without surprise" and rationally draw on what is useful to them in the foreign music culture. To re-establish confidence in our national culture is the most obvious change in the development of contemporary music creation in China. I would like to cite two examples to illustrate why I came to this impression: at the fourth Beijing, Shanghai and Fujian Modern Music creation Symposium, sponsored by the Fujian Academy of Art in 2009,
【作者单位】： 中央音乐学院;
【分类号】：J614
，
本文编号：2311878
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