以“多线多类”音乐文化事象的研究推动音乐史分期研究的深入
发布时间：2018-11-20 16:44
【摘要】：自20世纪20年代初叶伯和《中国音乐史》(上册)出版以来,中国音乐通史的撰写经历了近一个世纪的发展。在经过80年代史著出版的短暂繁荣后,90年代至今学界开始了二十年的"蓄势"阶段。今年的5月30日至31日,由中国音乐学院和中国音乐史学会主办、中国音乐学院中国音乐史学研究中心承办的"文化视野中的音乐历史分期"研讨会打破了这份平静。是次专题研讨会的成功举办,也是音乐史学界首次将中国音乐通史治史中遇到的分期问题作为会议专题供专家们研讨。我刊编辑部特别邀请在本次研讨会上做了系统性发言的部分专家学者,请他们将会议发言或主旨思想整理成文,以期为相对平静的音乐史学界激起些须思想的涟漪。
[Abstract]:Since the publication of Bohe's History of Chinese Music (first volume) in the early 1920s, the writing of the general history of Chinese music has undergone nearly a century of development. After a brief boom in the publication of historical books in the 1980 s, the academic community has begun a 20-year period of "momentum" since the 1990 s. From May 30 to 31 this year, sponsored by the Chinese Conservatory of Music and the Chinese Society of Music History, the symposium "Music History in the Cultural Perspective" held by the Chinese Music History Research Center of the Chinese Conservatory of Music broke this calm. The successful holding of this symposium is also the first time for experts to discuss the problems encountered in the study of the general history of Chinese music. The editorial department of my journal specially invites some experts and scholars who have made systematic speeches at this seminar to write down their speeches or keynote ideas in order to stir up some ripples of thought for the relatively calm music history circle.
【作者单位】： 中国音乐学院中国音乐史学研究中心;
【分类号】：J609.2
本文编号：2345432
[Abstract]:Since the publication of Bohe's History of Chinese Music (first volume) in the early 1920s, the writing of the general history of Chinese music has undergone nearly a century of development. After a brief boom in the publication of historical books in the 1980 s, the academic community has begun a 20-year period of "momentum" since the 1990 s. From May 30 to 31 this year, sponsored by the Chinese Conservatory of Music and the Chinese Society of Music History, the symposium "Music History in the Cultural Perspective" held by the Chinese Music History Research Center of the Chinese Conservatory of Music broke this calm. The successful holding of this symposium is also the first time for experts to discuss the problems encountered in the study of the general history of Chinese music. The editorial department of my journal specially invites some experts and scholars who have made systematic speeches at this seminar to write down their speeches or keynote ideas in order to stir up some ripples of thought for the relatively calm music history circle.
【作者单位】： 中国音乐学院中国音乐史学研究中心;
【分类号】：J609.2
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