浪漫主义时期标题性钢琴小品研究

发布时间：2018-12-10 17:49

【摘要】： 浪漫主义时期音乐发展的特征之一就是器乐小品的兴起,其中标题性钢琴小品的发展繁荣无疑是其中很重要的部分。所谓标题性钢琴小品,首先,它属于标题音乐的范畴,也就是有标题内容的音乐,它是作曲家根据标题内容进行创作,常取材于民间传说、小说、戏剧、诗歌和绘画等方面的内容,它力求把标题的内容通过音乐表达出来,让听者根据标题来欣赏和理解音乐。而小品性,一般表示短小精悍,通俗易懂的独奏作品的性质。两个条件兼具的钢琴作品,就是标题性钢琴小品了标题性钢琴小品据可考资料,最初呈现是在巴洛克时期法国作曲家库普兰的一系列作品中,之后经由古典古义大师贝多芬发扬光大,在浪漫主义时期,舒曼、门德尔松、李斯特、格里格等多位作曲家把这种创作形式推向了一定的高度,直至今天,它还是大众非常喜闻乐见的音乐体裁之一,也是演奏家们十分青睐的演奏体裁之一,更是教学中不可缺少的学习体裁之一。对它的研究几乎可以跨越整个钢琴的发展历史,由于调查范围有限,在这里我仅就它在浪漫主义时期的发展为线索,分类详细探究它独特的美感以及它在教学中的重要意义。正文主要分为三个部分。第一部分是浪漫主义时期标题性钢琴小品的概念和发展。第二部分是浪漫主义时期标题性钢琴小品的分类和艺术特色。第三部分是浪漫主义时期标题性钢琴小品的教学价值和教学要点。本文的目的是介绍浪漫主义时期标题性小品的发展和艺术特色,总结分类,并研究其演奏和教学。重点是第三部分的演奏与教学。
[Abstract]:One of the characteristics of musical development during the Romantic period is the rise of instrumental pieces, among which the development and prosperity of captioned piano pieces is undoubtedly a very important part. The so-called title piano sketch, first of all, it belongs to the category of title music, that is, music with title content. It is composed by composers according to the title content, often based on folklore, fiction, drama, Poetry, painting and other aspects of the content, it seeks to the content of the title through music, so that listeners can appreciate and understand the music according to the title. Sketch, generally means the nature of short, easy-to-understand solo works. Two piano works with both conditions are captioned piano sketches. According to the available materials, they were originally presented in a series of works by French composer Kupland during the Baroque period. In the Romantic period, Schumann, Mendelssohn, Liszt, Grieg, and other composers pushed this form of creation to a certain height. It is also one of the most popular musical genres, one of the most popular playing genres, and one of the indispensable learning styles in teaching. The research on it can almost span the development history of the whole piano. Because of the limited scope of investigation, here I only have the clue of its development in the Romantic period, and explore in detail its unique aesthetic feeling and its important significance in teaching. The text is divided into three parts. The first part is the concept and development of the title piano sketch during the Romantic period. The second part is the classification and artistic characteristics of the title piano sketch during the Romantic period. The third part is the teaching value and teaching essentials of the title piano sketch during the Romantic period. The purpose of this paper is to introduce the development and artistic characteristics of the title essay in the Romantic period, to summarize and classify it, and to study its performance and teaching. Focus on the third part of the performance and teaching.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J624.1

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