从活五调《柳青娘》看潮州筝派的作韵特色
发布时间：2018-12-29 13:55
【摘要】： 潮州筝派中左手各种作韵技法的运用是潮州筝的一大特点。潮州筝派中的“活五调”是最能体现潮州筝派风韵特色的一种调式,筝曲《柳青娘》则是潮州筝派中最具代表性的传统乐曲之一。 本文首先论述了活五调的音阶特点及潮州筝曲《柳青娘》的来源和调式特点,接着选取了林毛根、高哲睿、苏文贤三位筝曲演奏家的三首不同演奏版本的活五调《柳青娘》乐曲,重点分析了三首乐曲中的重三音(↓7)、重六音(↑4)及五音(2)的变化使用,从而得出三首乐曲在作韵手法上的不同特点,阐述了潮州筝派独特的作韵特色。继而通过对三位筝曲演奏家生平及演奏风格的介绍,得出三首活五调《柳青娘》在演奏上所表现出不同作韵特色的原因,以及给现代演奏者的启示。
[Abstract]:The use of left hand rhyming techniques in Chaozhou Zheng School is a major feature of Chaozhou Zheng. "living five tones" in Chaozhou Zheng School is one of the most typical traditional music of Chaozhou Zheng School. This paper first discusses the characteristics of the scale of living five tones and the origin and mode of Chaozhou Zheng song Liu Qingniang, and then selects Lin Maogen, Gao Che-rui, The three Zheng musicians from Su Wen-yin, who played three different versions of living-five tunes (Liu Qingniang), focused on analyzing the changes in the use of three of the three pieces of music, namely, three notes (7), six notes (4) and five notes (2). The different characteristics of three pieces of music in rhyming techniques are obtained, and the unique rhyme characteristics of Chaozhou Zheng School are expounded. Then, through the introduction of the life and style of the three zither musicians, the reasons for the different rhyme characteristics of Liu Qingniang and the inspiration for the modern performers are obtained.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J632.32
本文编号：2394917
[Abstract]:The use of left hand rhyming techniques in Chaozhou Zheng School is a major feature of Chaozhou Zheng. "living five tones" in Chaozhou Zheng School is one of the most typical traditional music of Chaozhou Zheng School. This paper first discusses the characteristics of the scale of living five tones and the origin and mode of Chaozhou Zheng song Liu Qingniang, and then selects Lin Maogen, Gao Che-rui, The three Zheng musicians from Su Wen-yin, who played three different versions of living-five tunes (Liu Qingniang), focused on analyzing the changes in the use of three of the three pieces of music, namely, three notes (7), six notes (4) and five notes (2). The different characteristics of three pieces of music in rhyming techniques are obtained, and the unique rhyme characteristics of Chaozhou Zheng School are expounded. Then, through the introduction of the life and style of the three zither musicians, the reasons for the different rhyme characteristics of Liu Qingniang and the inspiration for the modern performers are obtained.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J632.32
【引证文献】
相关期刊论文 前1条
1 丁雯娴;;潮州筝曲《寒鸦戏水》的演奏特点[J];长春理工大学学报;2012年03期
，本文编号：2394917
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