从莫扎特《安魂曲》看古典主义时期的合唱
发布时间：2019-01-06 17:55
【摘要】： 莫扎特的《安魂曲》是古典主义时期合唱作品重要代表之一,不仅代表了莫扎特的创作风格,充分体现了古典主义时期宗教合唱的风格特征。本文结合莫扎特的生平,莫扎特创作《安魂曲》的历史背景对《安魂曲》进行分析研讨,并追溯合唱发展的历史,进而研究古典主义时期合唱发展过程中的重要特征。首先,文章简要介绍了莫扎特以及创作《安魂曲》的历史背景,并结合具体谱例对《安魂曲》进行分析研究,然后是阐述古典主义时期合唱的历史背景,介绍莫扎特与海顿,贝多芬紧密的联系。最后通过莫扎特《安魂曲》与海顿和贝多芬的作品进行比较研究寻找共通点进而总结出古典主义时期合唱发展变化过程中所呈现的特征。
[Abstract]:Mozart's Requiem is one of the important representatives of classical choral works, which not only represents Mozart's writing style, but also fully embodies the style characteristics of religious chorus in classical period. Based on the life of Mozart and the historical background of Mozart's creation of Requiem, this paper analyzes and discusses Requiem, traces back the history of chorus development, and then studies the important characteristics in the development of chorus during the classical period. First of all, the article briefly introduces Mozart and the historical background of his creation of Requiem, and analyzes and studies Requiem with specific examples, and then expounds the historical background of classical chorus, and introduces Mozart and Haydn. Beethoven was closely connected. Finally, through the comparative study of Mozart's Requiem with Haydn and Beethoven's works, the author finds out the common points and summarizes the characteristics of the development and change of chorus during the classicism period.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J605
本文编号：2403129
[Abstract]:Mozart's Requiem is one of the important representatives of classical choral works, which not only represents Mozart's writing style, but also fully embodies the style characteristics of religious chorus in classical period. Based on the life of Mozart and the historical background of Mozart's creation of Requiem, this paper analyzes and discusses Requiem, traces back the history of chorus development, and then studies the important characteristics in the development of chorus during the classical period. First of all, the article briefly introduces Mozart and the historical background of his creation of Requiem, and analyzes and studies Requiem with specific examples, and then expounds the historical background of classical chorus, and introduces Mozart and Haydn. Beethoven was closely connected. Finally, through the comparative study of Mozart's Requiem with Haydn and Beethoven's works, the author finds out the common points and summarizes the characteristics of the development and change of chorus during the classicism period.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J605
【参考文献】
相关期刊论文 前1条
1 白君汉;论莫扎特《安魂曲》表现的“死”观和《安魂曲》的悲剧性对于西方音乐的普遍意义[J];交响.西安音乐学院学报;1998年01期
，本文编号：2403129
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