《生死恨》音乐创作初探
发布时间：2019-01-30 12:50
【摘要】：正 第十八场"夜宿",这场戏是全局的核心,主要唱腔。徐兰沅、王少卿先生设计的这段唱腔是非常成功的,在社会上广为流传,脍炙人口,它打破了传统唱腔的规律,大胆运用了旦角[二黄导板]后唱四句[散板]接一句[回龙]后接二黄[慢板]。这种格式以前是没有的,原来旦角[导板]后直接接[慢板],而徐、王二位大师设计的这样一个唱腔格局,既是传统唱腔的板式,又区别于传统唱腔的格式,完全符合徐兰沅先生所提出的"大的不逾越,小的可出入"和梅兰芳提出的"移步不换形"的艺术主张。整段唱腔的演唱伴奏,充分体现了梅派的"大味儿大美"。
[Abstract]:This is the 18 th night-sleeping scene, which is the core of the whole situation. The choir designed by Mr. Xu Lanyuan, Mr. Wang Shaoqing was very successful. It was widely spread and popular in society. It broke the law of traditional singing. Bold use of Dan angle [two yellow guide], sing four [loose board] one sentence [Hui long], then er Huang [slow plate]. This format was not previously available. Originally, the Dan angle [guide board] was directly connected to [slow plate], but the singing pattern designed by Master Xu and Wang was not only the traditional singing style, but also different from the traditional singing format. It is fully in line with Xu Lanyuan's art proposition of "the big one is not transgressive, the small one is accessible" and Mei Lanfang's "moving step does not change shape". The singing accompaniment of the whole choir fully reflects the "great taste and beauty" of the Mei School.
【作者单位】： 中国戏曲学院音乐系;
【分类号】：J821;J617.1
[Abstract]:This is the 18 th night-sleeping scene, which is the core of the whole situation. The choir designed by Mr. Xu Lanyuan, Mr. Wang Shaoqing was very successful. It was widely spread and popular in society. It broke the law of traditional singing. Bold use of Dan angle [two yellow guide], sing four [loose board] one sentence [Hui long], then er Huang [slow plate]. This format was not previously available. Originally, the Dan angle [guide board] was directly connected to [slow plate], but the singing pattern designed by Master Xu and Wang was not only the traditional singing style, but also different from the traditional singing format. It is fully in line with Xu Lanyuan's art proposition of "the big one is not transgressive, the small one is accessible" and Mei Lanfang's "moving step does not change shape". The singing accompaniment of the whole choir fully reflects the "great taste and beauty" of the Mei School.
【作者单位】： 中国戏曲学院音乐系;
【分类号】：J821;J617.1
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