梅西安最后六部管弦乐作品的创作技法研究

发布时间：2019-02-23 17:30

【摘要】： 奥利维耶·梅西安(Olivier Messiaen,1908～1992)是法国作曲家、管风琴家、音乐教育家和“鸟类学家”。作为20世纪最具影响和个性化创作的伟大作曲家之一,他的作品往往与宗教和对大自然的热爱紧密相联系。论文选取自二十世纪70年代以后创作的最后六部管弦乐作品在创作技法上进行分析研究。这六部晚期管弦乐作品是：《从峡谷到群星》、《彩色玻璃窗与鸟》、《高耸的城市》、《照耀彼世》、《微笑》和《四重协奏曲》。论文由七章构成：第一章介绍梅西安的生平与创作；第二章简介最后六部管弦乐作品的创作概况；第三章介绍六部作品中的鸟歌名录及写作方式；第四章较为详细地论述了六部作品的曲式结构手法及主要特征；第五章阐述了六部作品中音高材料的结构方式；第六章阐明节拍、节奏的结构思维和写作方式；第七章论述了音色—配器的结构方式。在结论中,通过归纳和总结这六部管弦乐作品的创作技法(如旋律、节奏、曲式、有限移位调式、色彩和弦以及管弦乐技法等),从而得出梅西安最后六部管弦乐的主要创作特征。
[Abstract]:Olivier Messiaen,1908~1992 is a French composer, organist, music educator and ornithologist. As one of the most influential and individualized composers in the 20th century, his works are often closely related to religion and love of nature. The selected works are taken from the last six orchestral works created after the 1970s. The six late orchestral works are: from the Canyon to the Stars, stained Glass and Birds, towering cities, shining in the World, smiling, and the Quadric Concerto. The thesis consists of seven chapters: the first chapter introduces the life and creation of Mei Xi'an, the second chapter introduces the creation of the last six orchestral works, the third chapter introduces the bird songs list and writing methods of the six works. The fourth chapter discusses the structure and main features of the six works in detail, the fifth chapter expounds the structure of pitch materials in the six works, the sixth chapter clarifies the rhythm, structural thinking and writing mode. Chapter 7 discusses the structure of timbre-orchestration. In conclusion, by summing up and summarizing the creative techniques of the six orchestral works (such as melody, rhythm, music, finite shift mode, color chord and orchestral techniques, etc.), Thus, the main creative features of the last six orchestral pieces of Mayan are obtained.
【学位授予单位】：中央音乐学院
【学位级别】：博士
【学位授予年份】：2009
【分类号】：J614

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