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柴可夫斯基《G大调钢琴奏鸣曲》作品分析及其悲情主义元素解析

发布时间:2019-03-11 20:33
【摘要】:伟大的俄罗斯现实主义作曲家柴科夫斯基于1878年创作了这首《G大调钢琴奏鸣曲》,在创作中他使用丰富的俄罗斯民歌曲调,结合大量乐队写作手法将钢琴作品乐队化,同时巧妙、缜密的设计和布局了作品的结构,使作品气势恢宏且富有一气呵成之感。结合柴可夫斯基当时所处的社会历史背景,文化历史背景,和作曲家本人的生活经历,与其很多作品相似,柴可夫斯基在这首《G大调钢琴奏鸣曲中》依然渗入了大量发自他内心的“悲情主义”色彩,使作品内涵厚重、富有寓意。虽然作品可能不为大多人所熟知,但是对钢琴理论、演奏和教学来说却有着极其重要的地位,是不容忽视的。 本论文将从该作品的创作背景、作品分析及作品中所蕴含的“悲情主义”因素等方面入手,用理论分析的方法来证明《G大调钢琴奏鸣曲》的重要性及其地位,通过论证更加明确作曲家的创作意图,从而更准确的把握作品风格,有助于实际演奏。
[Abstract]:The great Russian realist composer Tchaikovsky wrote this piano sonata in G major in 1878. In his creation, he used rich Russian folk songs, combined with a large number of band writing techniques, to team up piano works. At the same time, ingenious, meticulous design and layout of the structure of the work, making the work magnificent and full of a sense of success. Combined with Tchaikovsky's social and historical background, cultural and historical background, and the composer's own life experience, he is similar to many of his works. Tchaikovsky's piano sonatas in G major still permeate a great deal of "pessimism" from his heart, which makes his works rich in connotation and meaning. Although the works may not be well known to most people, they play a very important role in piano theory, performance and teaching, and can not be ignored. This thesis will prove the importance and position of the piano sonata in G major by means of theoretical analysis from the aspects of the creation background, the analysis of the works and the "tragic" factors contained in the works, and so on, and this thesis will prove the importance and position of the sonata in G major by means of theoretical analysis. By demonstrating more clearly the composer's creative intention, thus more accurate grasp of the style of the work, help the actual performance.
【学位授予单位】:西安音乐学院
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:J614

【引证文献】

相关硕士学位论文 前1条

1 曹金歌;情之切 乐之悲[D];辽宁师范大学;2012年



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