论孔庙雅乐审美理想与实践
发布时间：2019-03-30 18:22
【摘要】：在继承周代雅乐的基础上,孔庙雅乐在历代统治者"作乐以象攻","作乐以教民"的动机驱使下,遵循乐不离礼,无礼不乐,礼乐相成的礼乐观,以诗、乐、舞三位一体的庙堂祭祀为载体,通过乐章、乐名、乐器构成,舞步动作的设计以及服饰道具的应用等方面的实践,实现了儒家"中和之美"的艺术审美理想。
[Abstract]:On the basis of inheriting the elegant music of the Zhou Dynasty, the Confucian temple elegant music, driven by the motives of the rulers of all dynasties "to make music to attack" and "to make music to teach the people", followed the etiquette of happiness, disrespect, disrespect and optimism, with poetry and music. Dance trinity temple and hall sacrifice as carrier, through movement, music title, musical instrument composition, dance step movement design and the application of dress props and other aspects of practice, the Confucian "neutralization of beauty" art aesthetic ideal.
【作者单位】： 浙江师范大学;
【分类号】：J609.2
本文编号：2450361
[Abstract]:On the basis of inheriting the elegant music of the Zhou Dynasty, the Confucian temple elegant music, driven by the motives of the rulers of all dynasties "to make music to attack" and "to make music to teach the people", followed the etiquette of happiness, disrespect, disrespect and optimism, with poetry and music. Dance trinity temple and hall sacrifice as carrier, through movement, music title, musical instrument composition, dance step movement design and the application of dress props and other aspects of practice, the Confucian "neutralization of beauty" art aesthetic ideal.
【作者单位】： 浙江师范大学;
【分类号】：J609.2
【相似文献】
相关博士学位论文 前1条
1 车延芬;从舞谱到舞蹈[D];中央民族大学;2010年
相关硕士学位论文 前4条
1 惠芳;孔子“乐教”思想对当代我国普通高校公共音乐教育的启示[D];首都师范大学;2007年
2 周恋;论中和之美在二胡艺术作品中的体现[D];湖南师范大学;2012年
3 贾楠;20世纪以来祭孔乐舞研究的历史回顾与思考[D];河北师范大学;2011年
4 陈珩;论“和”在古琴艺术中的审美体现[D];河南大学;2010年
，本文编号：2450361
本文链接：https://www.wllwen.com/wenyilunwen/mzqiyue/2450361.html
