20世纪俄罗斯宗教音乐创作之研究
发布时间：2019-05-23 04:08
【摘要】： 20世纪俄罗斯宗教音乐是其历史的鼎盛时期。很多在世界音乐史上享有盛誉的俄罗斯作曲家们均创作了数目不等的宗教作品。他们在该领域积累了丰富的创作经验、取得了丰硕的成果,并且把个人的宗教观念融入到音乐的创作之中。这些经验和成果不仅具有重要的音乐史学价值,而且还对俄罗斯音乐美学、心理学的发展以及其它领域的创作产生了深远的影响。同时,宗教音乐创作的空前繁荣从一个侧面反映了俄罗斯现代社会的发展状况,因此,通过对宗教音乐的研究可以深化对俄罗斯历史、哲学、艺术等精神文化领域的认知。 本论文从宗教观念和音乐结构的角度切入,通过对俄罗斯宗教文化传统的溯源与20世纪宗教音乐文本的分析,力求发现俄罗斯民族自我意识的特征,进而完成对20世纪俄罗斯宗教音乐的一次并非全面的探索。在研究思路上,笔者把俄罗斯的宗教历史、哲学、文化等方面与作曲技术放在同等重要的地位看待,强调观念对于作曲技法的主导作用。 本论文由绪论、正文和结语三部分组成,正文在结构上分为上、下两篇。此外,笔者将俄罗斯教堂礼拜仪式的古斯拉夫语歌词翻泽成汉语,并作了简要分析,载于附录 正文的上篇包括两章,第一章对俄罗斯民族宗教观念和传统宗教音乐进行了历史回顾,着重探讨了在历史、政治、文化发展等背景下,末世论思想和弥赛亚意识的形成与发展及其对音乐创作技法的影响；第二章较为系统地梳理了20世纪俄罗斯宗教音乐的发展状况,其中就历史分期、发展趋势及影响音乐创作的主要宗教思想作了概括性的总结。 下篇包括五章,即正文的第三至七章。笔者从20世纪最具代表性的俄罗斯宗教音乐作品中选取了三部作为研究对象,将各种分析方法作为具体的分析手段,对音乐作品的结构形态和结构过程进行全面而细致的探析,以期管窥个人宗教观念与音乐形式化过程的关系。第六章从多元化主题、复调技法和管弦乐技法三个维度对(泛)宗教音乐创作的技法发展进行观照。第七章揭示信仰危机与“宗教热”如影随形的现象,探讨宗教信仰与民族凝聚力的关系问题,并对俄罗斯宗教音乐创作的艺术特性进行了概括提炼与总结。 一言以蔽之,历经千年积淀,末世论思想和弥赛亚意识已化成俄罗斯民族集体无意识的重要部分,它也是20世纪俄罗斯宗教音乐的精神内核。反之,作曲家们通过观念与音乐相结合的方式,使俄罗斯的宗教文化不断地传承与发展,从某种角度讲,音乐创作的繁荣推动了宗教历史的进程。
[Abstract]:Russian religious music in the 20 th century was the heyday of its history. Many Russian composers who have a high reputation in the history of world music have created a variety of religious works. They have accumulated rich creative experience in this field, achieved fruitful results, and integrated personal religious ideas into the creation of music. These experiences and achievements not only have important music historiography value, but also have a profound impact on the development of Russian music aesthetics, psychology and other fields. At the same time, the unprecedented prosperity of religious music creation reflects the development of modern Russian society from one side. Therefore, through the study of religious music, we can deepen the understanding of Russian history, philosophy, art and other spiritual and cultural fields. From the point of view of religious concept and music structure, this paper tries to find out the characteristics of Russian national self-consciousness by tracing back to the origin of Russian religious cultural tradition and analyzing the religious music text of the 20th century. And then completed a 20 th century Russian religious music is not a comprehensive exploration. In terms of research ideas, the author puts Russian religious history, philosophy, culture and other aspects in the same important position as composition technology, and emphasizes the leading role of ideas in composition techniques. This paper consists of three parts: introduction, main body and conclusion. The main body is divided into two parts in structure. In addition, the author converts the ancient Slavic lyrics of the Russian church worship ceremony into Chinese, and makes a brief analysis, which is contained in the first part of the appendix, which consists of two chapters. The first chapter reviews the history of Russian ethnic and religious concepts and traditional religious music, focusing on the background of historical, political and cultural development. The formation and development of eschatological thought and Messiah consciousness and their influence on music creation techniques; The second chapter systematically combs the development of Russian religious music in the 20th century, in which it makes a general summary of the historical stages, the development trend and the main religious thoughts that affect the music creation. The second part consists of five chapters, that is, the third to seventh chapters of the text. The author selects three of the most representative Russian religious music works in the 20th century as the research object, takes various analysis methods as the concrete analysis means, and makes a comprehensive and detailed analysis of the structure form and structure process of the music works. In order to see the relationship between personal religious ideas and the formalization process of music. In the sixth chapter, the development of techniques in (pan) religious music creation is observed from three dimensions: pluralistic theme, polyphonic technique and orchestra technique. The seventh chapter reveals the phenomenon of belief crisis and "religious fever", discusses the relationship between religious belief and national cohesion, and summarizes the artistic characteristics of Russian religious music creation. In a word, after thousands of years of accumulation, eschatological thought and Messiah consciousness have become an important part of the collective unconscious of the Russian nation, which is also the spiritual core of Russian religious music in the 20th century. On the contrary, composers through the combination of ideas and music, so that Russian religious culture continues to inherit and develop, from a certain point of view, the prosperity of music creation has promoted the process of religious history.
【学位授予单位】：上海音乐学院
【学位级别】：博士
【学位授予年份】：2010
【分类号】：J609.512
本文编号：2483587
[Abstract]:Russian religious music in the 20 th century was the heyday of its history. Many Russian composers who have a high reputation in the history of world music have created a variety of religious works. They have accumulated rich creative experience in this field, achieved fruitful results, and integrated personal religious ideas into the creation of music. These experiences and achievements not only have important music historiography value, but also have a profound impact on the development of Russian music aesthetics, psychology and other fields. At the same time, the unprecedented prosperity of religious music creation reflects the development of modern Russian society from one side. Therefore, through the study of religious music, we can deepen the understanding of Russian history, philosophy, art and other spiritual and cultural fields. From the point of view of religious concept and music structure, this paper tries to find out the characteristics of Russian national self-consciousness by tracing back to the origin of Russian religious cultural tradition and analyzing the religious music text of the 20th century. And then completed a 20 th century Russian religious music is not a comprehensive exploration. In terms of research ideas, the author puts Russian religious history, philosophy, culture and other aspects in the same important position as composition technology, and emphasizes the leading role of ideas in composition techniques. This paper consists of three parts: introduction, main body and conclusion. The main body is divided into two parts in structure. In addition, the author converts the ancient Slavic lyrics of the Russian church worship ceremony into Chinese, and makes a brief analysis, which is contained in the first part of the appendix, which consists of two chapters. The first chapter reviews the history of Russian ethnic and religious concepts and traditional religious music, focusing on the background of historical, political and cultural development. The formation and development of eschatological thought and Messiah consciousness and their influence on music creation techniques; The second chapter systematically combs the development of Russian religious music in the 20th century, in which it makes a general summary of the historical stages, the development trend and the main religious thoughts that affect the music creation. The second part consists of five chapters, that is, the third to seventh chapters of the text. The author selects three of the most representative Russian religious music works in the 20th century as the research object, takes various analysis methods as the concrete analysis means, and makes a comprehensive and detailed analysis of the structure form and structure process of the music works. In order to see the relationship between personal religious ideas and the formalization process of music. In the sixth chapter, the development of techniques in (pan) religious music creation is observed from three dimensions: pluralistic theme, polyphonic technique and orchestra technique. The seventh chapter reveals the phenomenon of belief crisis and "religious fever", discusses the relationship between religious belief and national cohesion, and summarizes the artistic characteristics of Russian religious music creation. In a word, after thousands of years of accumulation, eschatological thought and Messiah consciousness have become an important part of the collective unconscious of the Russian nation, which is also the spiritual core of Russian religious music in the 20th century. On the contrary, composers through the combination of ideas and music, so that Russian religious culture continues to inherit and develop, from a certain point of view, the prosperity of music creation has promoted the process of religious history.
【学位授予单位】：上海音乐学院
【学位级别】：博士
【学位授予年份】：2010
【分类号】：J609.512
【引证文献】
相关博士学位论文 前2条
1 许琛;阿沃·帕特钟鸣音乐研究[D];上海音乐学院;2011年
2 郑艳;结构主义视域下的序列主义音乐研究[D];上海音乐学院;2012年
，本文编号：2483587
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