浅析储望华钢琴音乐

发布时间：2019-06-01 22:05

【摘要】： 作为一名优秀的作曲家兼钢琴家。储望华一直以来以如何更好的发展中国钢琴音乐为己任。文章通过对储望华先生以及其钢琴作品的分析,可以看出储望华先生善于模仿民间音乐中各种演奏(唱)的效果来体现民族韵味。作品在坚持民族音调的基础上巧妙的与西方音乐作曲技法相结合,对传统音调进行深层次的挖掘。作品中还采用大量的民族性色彩和声,丰富的织体变化,多变的节奏韵律等表现手法,使其更具演奏效果。本文通过对储望华先生钢琴作品的研究,试图深入了解储望华钢琴作品的风格特色,以及准确的把握作品中所蕴含的民族韵味。同时也为后来的研究者和演奏者提供一些参考。本文在大量查阅相关文献之后,通过以下四个方面对储望华的钢琴作品进行研究：一、通过储望华的创作背景将储望华的创作分为三个时期,简单的介绍以及总结不同时期的个性特征,二、从作品结构分析,和声织体以及音乐的表情上将储望华的钢琴作品作了较为系统的分析研究。三、储望华钢琴作品的演奏体会,这一部分通过了自己的实践体会并结合上述理论的研究,针对在钢琴上如何更好的体现中国民族音乐的特性,表现中国钢琴音乐的意蕴方面阐述了自己的体会及相关建议。四、通过以上三个章节,从民族情怀、民族音韵两个方面进一步概述储望华钢琴作品的总体风格特点。
[Abstract]:As an excellent composer and pianist. Zhu Wanghua has always taken how to better develop Chinese piano music as his own responsibility. Through the analysis of Mr. Zhu Wanghua and his piano works, it can be seen that Mr. Chu Wanghua is good at imitating the effects of various performances (singing) in folk music to reflect the national flavor. On the basis of insisting on the national tone, the works cleverly combine with the western music composition techniques to excavate the traditional tones at a deep level. The works also use a large number of national color harmony, rich texture changes, changeable rhythm and other techniques of expression, so that it has a more performance effect. Through the study of Mr. Zhu Wanghua's piano works, this paper attempts to deeply understand the style and characteristics of Zhu Wanghua's piano works, as well as to accurately grasp the national flavor contained in his works. At the same time, it also provides some reference for later researchers and performers. After consulting a large number of relevant literature, this paper studies Zhu Wanghua's piano works through the following four aspects: first, through the creative background of Chu Wanghua, the creation of Zhu Wanghua is divided into three periods. This paper briefly introduces and summarizes the personality characteristics of different periods. Second, from the analysis of the structure of the works, harmony texture and the expression of music, the piano works of Zhu Wanghua are analyzed and studied systematically. Third, the playing experience of Zhu Wanghua's piano works, this part adopted his own practical experience and combined with the above theoretical research, aiming at how to better reflect the characteristics of Chinese national music on the piano. This paper expounds his own experience and related suggestions in expressing the implication of Chinese piano music. Fourth, through the above three chapters, this paper further summarizes the overall style characteristics of Zhu Wanghua's piano works from two aspects: national feelings and national phonology.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J624.1

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