明代遗存的“勃石细哩”探究——一部存活的纳西族安魂套曲

发布时间：2019-06-11 03:01

【摘要】：云南明代遗存的安魂套曲"勃石细哩",充满缠绵悱恻、哀伤凄婉之情,常用于纳西族丧葬仪式中。现仍传承于纳西族的有9首器乐歌舞曲牌。其来源与族属众说纷纭,目前暂无定论。笔者认为"勃石细哩"源起于明代,它的创作及形成,与凭吊纳、普米(西番)之战或纳、藏(吐蕃)之战双方阵亡将士之阴魂有关,同时,也在逐渐的完善过程中,融入了蒙古族带来丽江的一些乐器及音乐调式风格,后又经吸收了东巴文化及大量的汉族音乐(如明清曲牌、道教音乐)等,最终形成的。最早流行地是丽江的白沙。
[Abstract]:The soul set of Ming Dynasty in Yunnan Province is full of sentimental and sad feelings, which is often used in the funeral ceremony of Naxi nationality. At present, there are still 9 instrumental songs and dance cards still passed on to the Naxi nationality. There are different opinions on its origin and ethnic origin, and there is no final conclusion at present. The author believes that "Boshi Xiolii" originated in the Ming Dynasty, and its creation and formation are related to the ghost of the fallen soldiers on both sides of the battle of Pumi (Xifan) or Na, Tibet (Tubo). At the same time, it is also in the process of gradual improvement. It integrates some musical instruments and musical styles brought by Mongolians to Lijiang, and then absorbs Dongba culture and a large number of Han music (such as Ming and Qing music, Taoist music), which was finally formed. The earliest popular place was the white sand of Lijiang.
【作者单位】：云南艺术学院;
【分类号】：J607

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