拉莫键盘作品装饰音奏法的研究

发布时间：2017-12-28 00:20

本文关键词：拉莫键盘作品装饰音奏法的研究　出处：《天津音乐学院》2014年硕士论文　论文类型：学位论文

【摘要】：随着自由低音手风琴的问世及普及，手风琴的演奏曲目范围得到了扩展，越来越多的人开始演奏巴洛克时期的作品。装饰性是巴洛克时期的一大特点，装饰音是巴洛克时期音乐风格的体现,正确诠释及演奏巴洛克时期键盘音乐作品中装饰音是正确把握那个时期音乐风格的基础条件之一。本文阐明装饰音在巴洛克时期音乐键盘作品中的重要性，并对巴洛克时期法国作曲家拉莫键盘作品中繁多复杂的装饰音归纳分类，分别从颤音、回音、滑音、断音和琶音六个方面进行阐述说明其奏法。这些研究成果为手风琴演奏者诠释、演奏法国作曲家拉莫的键盘作品，展现其特点提供了一定的理论依据。
[Abstract]:With the advent and popularization of the free bass accordion, the range of Playing Accordion has been expanded, and more and more people began to play works in Baroque period. Decoration is a major feature of Baroque period. The ornamental sound is the embodiment of the Baroque music style. Correctly interpreting and playing the decorative voice in the keyboard music works in Baroque period is one of the basic conditions for correctly grasping the music style of that period. This paper elucidates the importance of ornamentation in Baroque keyboard works, and the Baroque French composer Lamo keyboard works in many complex ornamentation and classification were discussed to illustrate the method from playing vibrato, portamento, echo, staccato arpeggios and six aspects. These research results provide a theoretical basis for the annotation and playing of the keyboard works of the French composer Lamo by the accordion players.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J624.3

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