乐器的角色化使用

发布时间：2017-12-31 22:19

本文关键词：乐器的角色化使用　出处：《音乐创作》2015年12期 　论文类型：期刊论文

【摘要】：在欧洲音乐史上,曾经有这样两部音乐作品,它们将管弦乐队中的某件乐器生动具体同时又非常明确地定位在某种动物或人物身上,通过作曲家对某种动物或人物的深刻而自然的感受体验,然后运用各种乐器的不同特征和技术栩栩如生地将所要表现的动物或人物描绘出来,并赢得了广大听众的共鸣和认可。因为如此,这些作品就象一个令人回味无穷的传说一样成为了西方音乐史上的一段佳话。它们分别是圣·桑的《动物狂欢节》和普罗科菲耶夫的《彼得与狼》。本文通过详细的分析和比较,全面而清晰地剖析了两位作曲家是如何赋予各种乐器所特有的具有某种象征意义的性格特征的。同时阐述了这种作曲理念对此后的音乐创作产生的深远影响。
[Abstract]:In the history of European music, there have been two pieces of music in which one of the instruments in the orchestra is vividly and very clearly targeted at an animal or a person. Through the composer's deep and natural experience of a certain animal or character, then use the different characteristics and techniques of various musical instruments to vividly describe the animals or characters to be represented. And won the broad audience resonance and recognition. Because of this. These works, like a memorable legend, have become a good story in the history of western music. They are Saint Sang's Animal Carnival and Prokofyev's Peter and Wolf. Detailed analysis and comparison. This paper analyzes comprehensively and clearly how the two composers have endowed various musical instruments with certain symbolic characteristics, and expounds the profound influence of this composition concept on the subsequent music creation.
【作者单位】：内蒙古民族大学音乐学院;
【分类号】：J614
【正文快照】： 当你在阳光明媚、希望溢然的清晨被一阵清脆欢快的小鸟的啁啾声吵醒的时候;当你身处空山幽林中有幸听到了几声悠然自得的杜鹃的鸣叫的时候;当你为一头驴驹因为不满而扯起破锣似的嗓子狂喊乱叫逗得你破声而笑的时候;当你为一只洁白如雪的天鹅挣扎起垂死的舞蹈而怜悯顿生、感情

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