斯美塔那《我的祖国》交响诗结构研究

发布时间：2018-01-06 15:40

本文关键词：斯美塔那《我的祖国》交响诗结构研究　出处：《西安音乐学院》2014年硕士论文　论文类型：学位论文

【摘要】：捷克民族作曲家贝德里希·斯美塔那(1824—1884)一生共创作了四部交响诗：《理查德三世》，《瓦尔斯坦的营地》，《哈空·亚尔》和《我的祖国》。这四部交响诗都是19世纪浪漫主义中期非常优秀的代表作品，也是当今音乐发展历程中重要的大型音乐文献。其中《我的祖国》这部交响诗套曲不仅奠定了斯美塔那捷克民族音乐之父的地位而且成为这一音乐体裁运用并创作性发展的历史经典。本文正是通过《我的祖国》这部交响诗，从音乐结构分析，和声技法，调式布局，管弦乐配器法等多个角度分析研究斯美塔那的交响诗创作，通过对《我的祖国》这部交响诗的仔细研读，笔者对斯美塔那在交响诗作品中的创作技术手法和风格中的“延续”与“创新”进行了深入了解。本文以斯美塔那《我的祖国》这部交响诗为基点，以传统音乐的作曲技法与民族主义音乐风格的融入为切入点，从创作背景，原因，作品题材，音乐语言特征及结构等方面进行解读与研究，，深入分析总结这位捷克作曲家交响诗音乐的作曲技法特点，总结作品中所出现的代表性的风格特征和技法规律。在曲式结构上，作品中并列曲式（‘莎尔卡’，‘布兰尼克’）和主题多乐章变形贯穿(‘波西米亚的平原与森林’)使用都成为这部交响诗套曲结构形式上最显著的特点；而对于三部性曲式（‘维舍拉德’-混合中部复三部曲式；‘塔博尔’-插部性中部单三部曲式），以及组曲（‘沃尔塔瓦河’）方面也有不同程度的应用及特殊处理，细腻的体现在作品各个部分。在和声结构上，对古典主义和声体系的延续以及发展，变和弦的应用；调式上有“多样性”，“复杂化”两个主要特征，调性的单一性和双重性相结合。在音乐中，作曲家斯美塔那把对波西米亚民族语言的热爱自然地融入自己的作品中，所以无论从题材选取还是语言的应用都表现出他的民族情结，而从结构形式的巧妙的安排与创作技法的独到之处表现出他对交响诗创作的热爱以及对交响诗形式的不断探索。作曲家斯美塔那在《我的祖国》这部交响诗的创作中，一方面是对“交响诗”这一音乐表现体裁做出了创作手法的传承，另一方面也体现出他对“交响诗”这一音乐表现体裁发展中创作技法和风格的创新。
[Abstract]:Czech national composer Bedich Smetana (1824 - 1884) wrotealtogether four symphonic poems: Richard III < >, < < > Waals Tanzania camp, Kazakhstan air - Al > and < my country. The four symphonic poems are representative of the very best romantic mid nineteenth Century works, is also an important large-scale development of music in the course of music literature. In my country the < > not only establishes the national music symphonic poem Divertimento Smetana the father of Czech's status and become a genre of music and creative use of the history of the development of the classic. This article is through "my motherland > this poem, analysis, harmonic technique, adjustable layout from the structure of the music, multi angle orchestration analysis of Smetana's symphonic poems, through careful reading of" my motherland > symphonic poems, the author of Smetana in symphonic poems The creative technique and the "continuity" and "innovation" in the style of creation are deeply understood.
In this paper, "my motherland" Smetana symphonic poems as the starting point, to integrate into the traditional music composing techniques and ethnic music style as the starting point, from the creation background, reason, theme, music language features and structure interpretation and research, in-depth analysis of the Czech symphonic music composer of composing techniques the characteristics, style and technique appeared in the works of the regularity of the representative.
In the musical structure, musical works in parallel ("Shaerka", "cloth lannik") and the subject (the "Bohemia movement deformation through the plain and forest") are used to be the most significant form of symphonic poem divertimento structure characteristics; and for three of the form ("Vysehrad" - mixed central complex three form; 'thabor' - Department of central plug type), and single trilogy Suite ("Volta watts River") also has applications and special treatment in different degree, and embodied in the works of each part.
In the harmonic structure, the continuation and development of the classical harmonic system and the application of the changing chord have two main characteristics of "diversity" and "complication", and the unity and unity of tonality.
In music, the composer Smetana love for the Bohemia ethnic language naturally into their works, so in terms of theme selection or language used to show his national complex and ingenious arrangement and creative techniques from the structure of the original place to show his love of symphonic poems and continuous exploration of the symphonic poem form.
The composer Smetana in my country the < > symphonic poem creation, on the one hand is to make creation of the tradition of "symphonic poem" the music genre, on the other hand also reflects his innovation and creative techniques and style genre of symphonic poem of this music.

【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J614

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