论多音协调视唱练耳训练的方法与研究

发布时间：2018-01-09 05:14

本文关键词：论多音协调视唱练耳训练的方法与研究　出处：《中央音乐学院》2013年硕士论文　论文类型：学位论文

【摘要】：音乐的表现形式具有多样性：独唱(奏)、重唱(奏)、合唱(奏)、协奏、交响乐等,除独唱(奏)这一音乐表现形式外的其他音乐表现形式均涉及到两个或多个声部的多音协调问题,而部分独唱(奏)表现形式也存在其与钢琴(或器乐)伴奏或与乐队协奏进行配合等问题,故培养学生运用多音思维控制音准的能力将对其音乐表演实践起到实质性的作用,对于学生进行音乐创作和理论分析也具有较重要的指导意义。结合视唱练耳课程的传统教学模式,根据本人在研究生阶段的学习及教学实践,本文将重点阐述通过多音协调训练提高学生对横、纵向音准的控制能力,以及其在音乐表演中运用多音协调训练升华音乐表现的能力。
[Abstract]:Form of music is diversity: Solo, Duet (playing) (playing), Chorus (playing), Concerto, symphony, in addition to the solo music (playing) other forms of this music form abroad are related to the multi tone coordination problem with two or more voices, and some solo (playing there are also the form) and Piano (or instrumental accompaniment) and orchestra or with other issues, so cultivate students' thinking ability to control multi tone intonation to substantive effect on the practice of music performance, for students of music creation and theory analysis has important guiding significance with. The traditional teaching mode of solfeggio curriculum, according to the postgraduate study and teaching practice, this paper will focus on improving the students to cross through multi tone coordination training, the ability to control the longitudinal pitch, and the music performances by Music Association The ability to adjust the performance of sublimation.

【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J613.1

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