弗朗克《b小调众赞歌》及其在电子管风琴上的演奏研究

发布时间：2018-01-10 14:23

本文关键词：弗朗克《b小调众赞歌》及其在电子管风琴上的演奏研究　出处：《中央音乐学院》2013年硕士论文　论文类型：学位论文

【摘要】：萨赛尔·弗朗克(Ce sar Frank)是19世纪浪漫时期法国作曲家,虽然创作的曲目数量和其他的音乐家相比不是很多,但他晚期的作品几乎都是传世精品。由于弗朗克创作追求完美,所以为管风琴创作的作品只有十二首,管风琴创作是弗朗克音乐创作中的一个重要的领域。他的音乐特点是以强烈的半音和声提供了情绪激昂的旋律性主题;打破了对称结构以及反复模进的格式；作曲的技巧多运用了他最崇拜的巴哈对位法,但却是以浪漫的手法写作；特别是创造性的发展了“循环曲式”(cycle form);还有就是在作品中频繁地转调,在作品中有着晚期浪漫主义的色彩风格,他的音乐使之成为了法国管风琴音乐的典范。这首《b小调众赞歌》是他临终时创作的三首众赞歌作品中的一首作品,可以说是集中了他一生的创作理念和精华。这部作品运用的是以奏鸣曲式结构为原则(非严格的奏鸣曲式),主部部分是运刚了一个改进了的帕萨卡利亚手法写成；副部主题则是运用了循环性手法构成。这部作品用温柔的b小调开始,结束为同主音大小调的B大调上,是以明朗的手法结束;暗示了神秘主义和宗教理想主义在弗兰克的这部作品当中得以体现。笔者在专业学习过程中,通过在管风琴上学习演奏这部作品,对这部作品有了深入的研究与体会。管风琴虽然有悠久的历史和丰厚的文化底蕴,但在中国,管风琴的文化还朱能深入大众,对管风琴基本的研究目前都处于空白阶段,本人拟对这首乐曲进行作品及演奏方面的研究和探索,可以说是作为较早开始研究管风琴及管风琴音乐的一个范本。目前在国内,对于电子管风琴件乐器米说,常常演奏经过改编的交响乐作品或是流行音乐作品,而用电子管风琴演奏经改编的管风琴作品并不多见,尤其是用电子管风琴演奏法国浪漫时期的管风琴作品更是少之又少。受当前我国管风琴数量较少这一客观条件限制,本人尝试将《b小调众赞歌》移植在电子管风琴上演奏,以图积累移植经验、丰富演奏曲目,有效改变由于乐器的限制导致很多优秀的管风琴作品不能传播至当代中国听众的局面。为能传播管风琴优秀作品并探索在电子管风琴上演奏管风琴作晶方面,尽自己的微薄之力。
[Abstract]:In 19th century, he was a romantic French composer, although the number of tracks created was not much more than that of other musicians. But his later works were almost all of the best in the world. Because Frank's creation was perfect, he thought that only 12 works had been created by the organ. Organ creation is an important field in Frank's music creation. Breaking the symmetry structure and the format of repeated mode progression; The technique of composing music mostly used the Baha's opposite position method which he adored most, but it was written in a romantic way; In particular, the "cyclic form" has been creatively developed. There is also in the works frequently changed tone, in the works with the late romantic color style, his music made it a model of the French organ music. This "B minor" is one of three works he wrote on his deathbed. It can be said that he concentrated on his life of creative ideas and essence. This work is based on the structure of sonata as the principle (not strict sonata form). The main part was written with an improved Pasakaria technique; The theme of the sub-department is composed of circular techniques. The work begins with a gentle b minor, ends in B major with the same subject size, and ends with a clear approach; Implying that mysticism and religious idealism are embodied in Frank's work. In the process of professional study, the author learned to play this work on the organ, which has a long history and rich cultural background, but in China. The culture of organ can go deep into the public, the basic research of organ is still in blank stage, I intend to study and explore this piece of music. It can be said to be a model for the earlier study of organ and organ music. At present, in China, for electronic organ pieces of musical instruments said, often played after the adaptation of symphonies or pop music works, and the use of electronic pipes to play adapted organ works are rare. In particular, the use of electronic organ to play the French romantic period of pipe organ works is very rare, subject to the current number of pipe organ is relatively small, this objective condition. I try to transplant "B minor" on the electronic organ to accumulate experience in order to enrich the repertoire. To effectively change the situation that many excellent pipe organ works can not be disseminated to contemporary Chinese audience due to the limitation of musical instruments. In order to spread the excellent works of organ organ and explore the aspect of playing organ organ on electronic organ. Do your best.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J624.2;J614

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