辽宁与山东民间丧葬仪式音乐比较研究

发布时间：2018-01-12 08:01

本文关键词：辽宁与山东民间丧葬仪式音乐比较研究　出处：《沈阳音乐学院》2014年硕士论文　论文类型：学位论文

【摘要】：文化的交流推动着人类社会的进步，丰富和发展了本民族和国家原有的文化内涵，提升了整个民族的文化品格和精神境界。山东与辽宁自古历史渊源深厚，从中华文明伊始之时划分于区域管辖到近代关内人民的“闯关东”，历经数千年里而两地交流从未间断。本文将从辽宁与山东丧葬仪式音乐入手，对两地的历史文化渊源、丧葬仪式过程及用乐、鼓乐形态分析等方面加以分析总结。从历史角度、流派划分、演奏风格和乐器乐曲的使用等方面，对山东和辽宁的鼓吹乐做出比较与研究。山东与辽宁的丧葬音乐文化是两地在长期交流过程中下形成的传统习俗之一，它具有厚重的传统历史沉淀。鼓吹乐作为丧葬仪式音乐的主体，历来受到高度关注。山东与辽宁的鼓吹乐作为全国鼓吹乐中重要的一分支，在历史发展过程中，由于人口迁移和文化的交流，两地的鼓吹乐也随之发生了变化，它们既有相似又有区别。关于辽宁和山东两地丧葬仪式音乐的研究，自上世纪中叶就已经展开。各类的关于丧葬仪式音乐、鼓吹乐的文献与研究成果层出不穷、硕果累累。随着研究的不断深入，很多有关于辽宁与山东鼓乐联系与区别的问题也被不断提出。本文力争通过实地考察与文献查阅相结合的方法，比较辽宁与山东两个地区在人文状况、丧葬仪式和丧乐应用等方面的异同，发现在历史演变过程中，山东与辽宁在丧葬仪式音乐的关系，对研究山东与辽宁丧葬仪式音乐的发展及应用都有重要价值。本文第一章叙述了山东与辽宁的历史渊源，列举历史上山东与辽宁之间比较大的迁移，对辽宁的地域文化产生的影响，并陈述山东与辽宁在历史文化和民俗关系等方面的联系；第二章通过总结辽宁与山东葬礼仪式过程，，对比其异同点，并从历史与文化层面分析这些仪式产生的原因；第三章和第四章是本文的重点章节，第三章，比较细致的描述辽宁与山东丧葬仪式过程的主要用乐，通过分析两地各个仪式环节中的用乐情况，分析相似性和差异性，通过研究仪式中鼓乐的应用，总结音乐在仪式中的功能；第四章主要分析辽宁与山东丧葬仪式音乐的具体形态特征，并研究其形态特征下，两地风格形成的原因，得出两地在历史演变过程中，丧葬仪式音乐是趋同还是背离，从文化形态上分析其产生的根源。
[Abstract]:Cultural exchange promotes the progress of human society, enriches and develops the original cultural connotation of the nation and country, and promotes the cultural character and spiritual realm of the whole nation. From the beginning of Chinese civilization, it was divided into regional jurisdiction and modern people's "Chuang Guan Dong", after thousands of years and the exchanges between the two places never stopped. This article will start from Liaoning and Shandong funeral ceremony music, the historical and cultural origin of the two places, funeral ceremony process and use music, drum music form analysis and other aspects. From the historical point of view, school division. In the aspects of playing style and the use of musical instruments, this paper compares and studies the preaching music in Shandong and Liaoning. The funeral music culture between Shandong and Liaoning is one of the traditional customs formed in the process of long-term communication between Shandong and Liaoning. It has a heavy traditional historical precipitation. It advocates music as the main body of funeral ceremony music. Shandong and Liaoning preaching music as an important branch of national advocacy music, in the historical development process, due to population migration and cultural exchanges, the two places of advocacy music has also changed. There are similarities and differences between them. The research on funeral ceremony music between Liaoning and Shandong has been carried out since the middle of 0th century. Various kinds of music about funeral ceremony, advocating music literature and research results emerge one after another. With the deepening of the research, many questions about the relationship and difference between Liaoning and Shandong drum music have been raised. This paper tries to compare the similarities and differences between Liaoning and Shandong in the humanities, funeral ceremony and funeral application through the combination of field investigation and literature review, and find out that in the historical evolution process. The relationship between Shandong and Liaoning funeral ceremony music is of great value to study the development and application of Shandong and Liaoning funeral ceremony music. The first chapter of this paper describes the historical origin of Shandong and Liaoning, enumerates the historical migration between Shandong and Liaoning, and the impact on the regional culture of Liaoning. It also states the relationship between Shandong and Liaoning in the aspects of history, culture and folklore. The second chapter through summing up Liaoning and Shandong funeral ceremony process, compared its similarities and differences, and from the historical and cultural level to analyze the causes of these ceremonies; Chapter three and Chapter 4th are the key chapters of this paper. Chapter three describes the main use of music in the funeral ceremony process of Liaoning and Shandong in detail, and analyzes the situation of using music in each part of the ceremony. By analyzing the similarity and difference, the author summarizes the function of music in ritual by studying the application of drum music in ritual. Chapter 4th mainly analyzes the specific morphological characteristics of funeral ceremony music in Liaoning and Shandong Province, and studies the reasons for the formation of style in the two places under its morphological characteristics, and draws the conclusion that the two places are in the process of historical evolution. Whether the funeral ceremony music converges or deviates, analyzes its origin from the cultural form.
【学位授予单位】：沈阳音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J607

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