滇南四弦音律倾向研究——以红河州元江南北两岸为例

发布时间：2018-01-13 06:12

本文关键词：滇南四弦音律倾向研究——以红河州元江南北两岸为例　出处：《中国音乐学》2015年02期 　论文类型：期刊论文

【摘要】：四弦作为滇南少数民族器乐的代表之一,其排品有接近纯律音程、十二平均律音程和少数四分之三音程。此音程性质的多样性给音律倾向的多样性提供了可能。笔者以红河州元江南北两岸为例,说明四弦的类别、制作和定品方法,将田野采集的四弦曲调对照具体品位的使用,进行测量分析,说明音乐实践中四弦的音律倾向。本文认为,南北两岸四弦音乐的差异,体现于四弦排品的略微差别,以及品位选择性的使用两个方面。
[Abstract]:As one of the representatives of minority instrumental music in southern Yunnan, Sixian has a close to pure rhythmic interval. 12 mean interval and a few 3/4 intervals. The diversity of the nature of this interval provides the possibility for the diversity of the rhythm tendency. The author takes the north and south banks of Yuanjiang River in Honghe as an example to illustrate the category of four strings. The method of making and determining the quality of the four string tunes collected in the field is compared with the use of the specific grade, and the measurement and analysis are carried out to illustrate the musical tendency of the four strings in the music practice. This paper holds that the differences of the four string music between the two sides of the strait are different from each other. Reflected in the four-string arrangement slightly different, as well as the use of two aspects of grade selectivity.
【作者单位】：四川音乐学院;
【基金】：2012年度国家社会科学基金艺术学青年项目“中国有品民族乐器律制形态研究”(批号12CD084)阶段性研究成果
【分类号】：J612.1
【正文快照】： 四弦,又称为月琴、弦子1,主要流传于西南少数民族区域,是彝族、苗族、布依族、哈尼族等歌舞器乐常用弦乐器之一。西南少数民族音乐研究的著作、论文颇丰,而针对四弦的乐器研究,特别是四弦的品位以及音律研究,极少涉及。由于流传区域的不同,四弦的形制、结构都存在一定差异,品

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