以钢琴三重奏为例简述钢琴室内乐中钢琴踏板的使用

发布时间：2018-01-14 04:07

本文关键词：以钢琴三重奏为例简述钢琴室内乐中钢琴踏板的使用　出处：《中央音乐学院》2014年硕士论文　论文类型：学位论文

【摘要】：钢琴室内乐这种特定的艺术表演形式自五百多年前,钢琴这种乐器问世以来便产生了,随着音乐技术的发展和钢琴制造业的蓬勃,钢琴室内乐包含的钢琴重奏和钢琴艺术指导等艺术形式越来越多的活跃在世界的舞台上。而在室内乐中,其他乐器与钢琴的音量平衡与音色融合,是首要解决的问题。而作为钢琴演奏者,除了基础的节奏、触键和句法处理外,音色音量的变化很大程度取决于演奏者踏板技术的运用。可以说,在钢琴室内乐演奏中,钢琴踏板的使用对室内乐音响效果的整体性起到了至关重要的作用。本文以钢琴三重奏为主要研究对象,针对钢琴三重奏中几件乐器的振动频率的融合,音量协调以及如何使用有别于独奏踏板法的室内乐踏板技术进行简单的研究。
[Abstract]:Since more than 500 years ago, piano chamber music, a special form of art performance, has come into being, along with the development of music technology and the flourishing of piano manufacturing industry. Piano chamber music contains more and more art forms such as piano recital and piano art instruction. In chamber music, the volume balance and timbre of other instruments and piano are integrated. As a piano player, in addition to the basic rhythm, touch keys and syntactic processing, the change in tone volume depends largely on the use of the player's pedal technology. In the performance of piano chamber music, the use of piano pedal plays a vital role in the overall sound effect of chamber music. In this paper, the piano trio as the main research object, aiming at the fusion of the vibration frequency of several instruments in the piano trio. Volume coordination and how to use chamber music pedal technology different from soloist pedal method for a simple study.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J624.1

【共引文献】