社会性别视角下女性意识在民族唱法中的体现

发布时间：2018-01-15 00:11

本文关键词：社会性别视角下女性意识在民族唱法中的体现　出处：《华中师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：民族唱法作为中国三大唱法之一,极具中国传统音乐的特色、但却又饱受争议,如唱法的争议、命名的争议、演唱者表演单一的争议,以及最为人熟知的“千人一声”。随着越来越多的女性选择声乐作为专业学习内容,并登上各种类型的晚会以及比赛的舞台,这一现象背后的意识形态也日益凸显。女性参与民族唱法与民族唱法的争议性问题有着极为紧密的联系,女性意识在其中也起到极大的影响。女性意识的提出是随着西方女权主义的发展而来的,由于西方女权主义运动不断发展壮大,其日益完善的理论系统也随之在世界范围内的学术领域得到认可和借鉴,社会性别理论便是被运用最为广泛的理论之一,它给人们提供了一个全新的看待女性问题、女性意识问题的角度和方法。女性意识在声乐中的体现,不仅存在于声乐作品当中,还存在于学习、表演的行为当中。声乐作品蕴含着一定的意识形态,但如何表现作品,又受到表演者意识形态的影响,因此,分析民族唱法中的女性意识,必须从多个角度来进行观察。本文以民族唱法为研究对象,以女性意识在中国的变化作为背景,以社会性别理论作为研究的理论依据,挖掘民族唱法中所体现的女性意识。具体将从作品、表演、创作等方面对民族唱法中女性意识的渗透进行分析,文章主要分为以下几个部分： (1)概念的商榷：文章选题名为“社会性别视角下女性意识在民族唱法中的体现”,从标题上来看需要梳理清楚两个概念,一个是“女性意识”,一个是“民族唱法”。“女性意识”是随着妇女运动而出现的一个概念,在很多论文中的定义都不一样,因此有必要综合前人的解释再一次为其释义；虽然在青歌赛的比赛当中,民族唱法属于定义明确的唱法类别,但“民族唱法”这一名词在很多研究民族声乐的文章中却也争议颇多,因此有必要解释清楚这一词语在本论文中的所指范围。 (2)女性意识发展的历史梳理：简要呈现世界女权主义运动以及中国妇女解放运动的标志性事件,及其对女性意识的影响；以及民族唱法同女性紧密联系的历史背景、缘由。 (3)分析女性意识在民族唱法中的体现与缺席：主要对作品、学习和表演行为、音色处理等方面的女性意识的体现和缺失进行分析。
[Abstract]:As one of the three major singing methods in China, the folk singing method has the characteristics of Chinese traditional music, but it is also controversial, such as the controversy of singing method, the controversy of naming, and the single controversy of singer performance. As more and more women choose vocal music as part of their professional studies, they are on the stage of all kinds of parties and competitions. The ideology behind this phenomenon is also increasingly prominent. There is a close relationship between women's participation in national singing and the controversial issue of ethnic singing, in which female consciousness also plays a great role. Women's consciousness is brought forward with the development of western feminism, because of the constant development of western feminist movement. Its increasingly perfect theoretical system has also been recognized and used for reference in the academic field worldwide. Gender theory is one of the most widely used theories. It provides a new perspective and method for people to look at the female problem and the problem of female consciousness. The embodiment of female consciousness in vocal music exists not only in vocal music works but also in learning. Among the acts of performance, vocal music works contain a certain ideology, but how to express the works is influenced by the performers' ideology. Therefore, this paper analyzes the female consciousness in the national singing method. Observation must be made from multiple angles. This article takes the folk singing method as the research object, takes the female consciousness change in China as the background, takes the social sex theory as the theoretical basis of the research, excavates the female consciousness embodied in the national singing method. Performance, creation and other aspects of the national singing in the penetration of female consciousness, the article is mainly divided into the following parts: Discussion of the concept: the title of the article is "the embodiment of female consciousness in ethnic singing from the perspective of social gender". From the title point of view, we need to sort out two concepts, one is "female consciousness". One is the "national singing method". "female consciousness" is a concept that appears with the women's movement, and the definition in many papers is different, so it is necessary to synthesize the previous explanations for its interpretation again; Although in the competition of the youth song competition, the folk singing method belongs to the clearly defined singing style category, but the term "national singing method" is also controversial in many articles of studying the national vocal music. Therefore, it is necessary to explain the scope of this term in this paper. (2) the history of the development of women's consciousness: a brief presentation of the iconic events of the world feminist movement and the Chinese women's liberation movement, and their influence on the female consciousness; As well as the historical background and reason of the close connection between ethnic singing and women. 3) to analyze the embodiment and absence of female consciousness in the folk singing: mainly to analyze the embodiment and lack of female consciousness in the aspects of work, study and performance behavior, timbre processing and so on.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J616.2

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