对梅西安《对圣婴—耶稣的二十凝视》之二十《爱之教会在凝视》的探究

发布时间：2018-01-16 01:10

本文关键词：对梅西安《对圣婴—耶稣的二十凝视》之二十《爱之教会在凝视》的探究　出处：《上海音乐学院》2013年硕士论文　论文类型：学位论文

【摘要】：二十世纪音乐在对传统音乐观念与技术进行最为彻底的反叛的同时,呈现出了多元的发展趋势。梅西安是二十世纪最具影响力的人物之一,同时也是优秀的键盘演奏家和虔诚的天主教信徒。本文从演奏者的角度出发,阐述《对圣婴-耶稣的二十凝视》(Vingt Regards sur I' Enfant-Jesus)之二十《爱之教会在凝视》(Regard de l'Eglise d'amour)的音乐情绪发展。以分析曲式结构、调式、和声、节奏及音乐主题为理论依据,进一步发掘音乐的戏剧性冲突及表现力。从音响效果的几个重要因素着手,阐述演奏《爱之教会在凝视》的技术要点。从演奏者的角度看,对于音乐的想象远比流畅无误的弹奏重要得多,本文因此从情绪发展、速度、节奏及踏板的把握运用,描述音乐张力的表现及对精神与想象的追求。
[Abstract]:In 20th century, the music carried on the most thorough rebellion to the traditional music idea and the technology, at the same time, presented the pluralistic development tendency. Mayan is one of the most influential figures in 20th century. He is also an excellent keyboard player and a devout Catholic. This article sets out from the angle of the performer. "20 gaze on the Holy Baby." 20 "the Church of Love staring at the Church of Love" by Vingt Regards sur I'Enfant-Jesus. Music mood development of Regard de Eglise damour. to analyze the musical structure. Mode, harmony, rhythm and music theme as the theoretical basis to further explore the dramatic conflict and performance of music. From the sound effect of several important factors. Explain the technical essentials of playing the church of love in gaze. From the player's point of view, the imagination of music is far more important than fluency of playing, so this article from the emotional development, speed, rhythm and the use of pedal grasp. Describe the performance of musical tension and the pursuit of spirit and imagination.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J624.1;J614

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