李遇秋手风琴奏鸣曲研究

发布时间：2018-01-16 21:04

本文关键词：李遇秋手风琴奏鸣曲研究　出处：《山东师范大学》2005年硕士论文　论文类型：学位论文

【摘要】：在传入我国的西洋乐器中,手风琴以其优美的音色、宽广的音质以及丰富的表现力,在中国的乐器大舞台上占有非常重要的位置。经过近半个世纪的迅速发展,它已成为国内最普及乐器中的一员,并且在演奏、教学以及与民族音乐文化相结合等方面均取得了令人瞩目的成就。综观全局,中国手风琴事业正处于一个蓬勃发展的时期。李遇秋先生是对中国手风琴艺术发展最具推动力的专业作曲家,自八十年代重新开始手风琴音乐创作生涯以来,至今仍默默耕耘着。李遇秋的手风琴创作涉猎内容广泛,体裁不拘一格。在众多的优秀作品中,谱写于世纪末的三首奏鸣曲是其在古稀之年的呕心力作,也是当代国内手风琴作品表率之作。本文以李遇秋的这三首奏鸣曲作为切入点,从背景、曲式、调式调性、节奏节拍以及人文阐释等多角度对其进行了较为细致的剖析,挖掘作品真谛,着力探求这位特殊的音乐家在二十世纪末的特殊历史阶段中的音乐创作思维及成果,归纳其作品的风格和个性特征,从而对其在中国手风琴音乐发展中的作用给予客观的历史定位。论文主体分为三大部分:第一部分,中国手风琴音乐的创作历程。以现代社会的发展进程为参照,中国手风琴音乐创作共经历了传入期、启蒙期、曲折前进期和创新期四个阶段,这是手风琴音乐与我国本土文化相交融过程的回顾和发展现状的简要论述。第二部分,李遇秋——手风琴艺术民族化的旗帜。主要叙述李遇秋的生平简历及其创作生涯。其中,他的创作生涯分为两个阶段,即前期创作的艺术积累(五十年代末至七十年代末)和后期创作方向的转变(八十年代初至今)。主要论及各创作阶段所取得的优秀成果以及前后创作思路转变后给中国手风琴界带来的重大影响。第三部分,李遇秋奏鸣曲的多元探讨。这是本文的主旨所在。首先从三首奏鸣曲的本体研究入手,解析作品的旋律语言、曲式结构、调式调性等方面内容。通过这些现象综合归纳三首作品音乐表现的共性标志:标题性、民族性音乐语言、曲式结构的多重化、复调技术的兼容化和手风琴特殊技巧的运用。最后,在此基础上进一步展开对李遇秋创作思维及个性特点的思考。在
[Abstract]:In the western musical instruments introduced into China, accordion, with its beautiful timbre, broad sound quality and rich expressive power, occupies a very important position on the Chinese musical instrument stage. After nearly half a century of rapid development. It has become one of the most popular musical instruments in China, and has made remarkable achievements in playing, teaching and combining with national music culture. China's accordion industry is in a period of vigorous development. Li Yuqiu is the most powerful professional composer for the development of Chinese accordion art. Since 80s, he has restarted his accordion music writing career. Li Yuqiu's accordion creation is extensive in content, style is not fixed. In many excellent works, the three sonatas written at the end of the century are his sickening works in the ancient and rare years. This article takes Li Yuqiu's three sonatas as the breakthrough point, from the background, the form, the mode tonality. Rhythm, rhythm and humanistic interpretation are analyzed in detail, and the true meaning of the works is excavated. Try to explore the special musician in the end of 20th century in the special historical stage of music creation thinking and achievements, summed up the style and personality of his works. Thus, its role in the development of Chinese accordion music to give an objective historical positioning. The main body of the thesis is divided into three parts: the first part, the creation process of Chinese accordion music. Referring to the development process of modern society, Chinese accordion music creation has experienced the period of introduction and enlightenment. This is the review of accordion music and the blending process of our native culture and the development of the current situation. The second part. Li Yuqiu-the banner of accordion art nationalization. Mainly narrates Li Yuqiu's life history and his creative career. Among them, his creative career is divided into two stages. That is, the artistic accumulation in the early period (from the end of 50s to the end of 70s) and the change of the direction of creation in the later period (from 80s to the present). It mainly deals with the outstanding achievements in each stage of creation and the great influence on the Chinese accordion circle after the change of creative thinking before and after. The third part. This is the main purpose of this paper. First of all, from the three sonata Noumenon study, analysis of the melodic language of the works, the structure of the form. Through these phenomena, the common signs of music performance of three works are summed up: title, national musical language, multiple musical structure. The compatibility of polyphonic techniques and the application of special accordion techniques. Finally, on the basis of this, further thinking about Li Yuqiu's creative thinking and personality characteristics is carried out.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J605

【引证文献】