论二十世纪扬琴音乐的分期

发布时间：2018-01-18 02:32

本文关键词：论二十世纪扬琴音乐的分期　出处：《山东师范大学》2005年硕士论文　论文类型：学位论文

【摘要】：本文论述中国扬琴音乐在20世纪发展的历史分期及其各个阶段的主要特征。全文由“前言”、“一、转型期”、“二、发展期”、“三、成熟期”和“结语”五个部分组成,着重对中国扬琴音乐在20世纪的迅速崛起侧重于从各个不同时期的社会背景、乐器改革、乐曲创作和演奏技法的发展演变进行历史梳理,探讨其规律性的成因。前言主要介绍扬琴在明清时期由波斯阿拉伯一带传入我国后逐渐成为中国民族乐器的一员并主要在民间说唱和戏曲音乐中处于伴奏地位的状况,进入20世纪后,开始由传统扬琴向近代专业扬琴转型。第一部分主要论述20世纪上半叶中国扬琴音乐的发展处于“转型期”初期的特征,在保持传统扬琴基本形制的基础上,开始在“江南丝竹”、“广东音乐”和“四川扬琴”等民间器乐、说唱乐种中成为主奏乐器,并逐渐形成具有各个地区特色的演奏流派以及独奏曲目。第二部分以“发展期”概括自中华人民共和国成立至“文化大革命”期间扬琴音乐的迅速演变与发展,无论在扬琴形制的改革、音乐的创作和技法的创新方面都有突飞猛进的变化,尤其的扬琴音乐的专业化(高度院校的专业设置和专业音乐创作与演奏)使得扬琴在民族器乐领域和二胡、琵琶等乐器具有同等重要的地位和影响。第三部分主要对我国八、九十年代扬琴音乐发展趋向的特点进行了论述与归纳,这一阶段是20世纪以来我国扬琴音乐的发展最为繁荣和最具活力的时期,各个具有地区特色的扬琴流派在交流中融合,形成专业扬琴教学的新格局,演奏技法更加多样化和规范化,扬琴改革的深化使得乐器的表现性能更为出色,扬琴大型乐曲和“新潮音乐”作品的面世将中国扬琴推向了和欧洲扬琴、西亚——南亚扬琴具有同样重要地位的世界三大扬琴体系之一。我国扬琴在一个世纪的时间内其发展轨迹所反映的成就已经引起世人瞩目。 “结语”部分则从扬琴的乐器改革、技巧创新、乐曲创作和不同历史时期人
[Abstract]:This paper discusses the historical stages of the development of Chinese yangqin music in 20th century and the main characteristics of each stage. The full text is composed of "preface", "first, transition period", "second, development period", "three". "mature period" and "conclusion" composed of five parts, focusing on the rapid rise of Chinese yangqin music in 20th century, focusing on the social background of different periods, musical instrument reform. The development and evolution of musical composition and performance techniques are combed in history, and the causes of its regularity are discussed. The preface mainly introduces that the yangqin was introduced into China from Persian Arab area in the Ming and Qing dynasties and gradually became a member of Chinese national musical instruments and was mainly in the status of accompaniment in folk rap and opera music. In 20th century, it began to transform from traditional yangqin to modern professional yangqin. The first part mainly discusses the development of Chinese yangqin music in the first half of 20th century in the "transition period" in the early features, in the maintenance of the traditional yangqin basic shape on the basis of the beginning of "Jiangnan silk bamboo". "Guangdong Music" and "Sichuan Yangqin" and other folk instrumental music, rap music become the main instrument, and gradually formed with regional characteristics of playing schools and solo repertoire. The second part generalizes the rapid evolution and development of the yangqin music from the founding of the people's Republic of China to the "Cultural Revolution" in the "development period", regardless of the reform of the yangqin system. The creation of music and the innovation of techniques have made great changes, especially the specialization of yangqin music (the professional setting of high school and the creation and performance of professional music) make the yangqin in the field of national instrumental music and erhu. Pipa and other musical instruments have the same important status and influence. The third part mainly discusses and summarizes the characteristics of the development trend of Chinese yangqin music in 90s. This stage is the most prosperous and dynamic period of the development of Chinese yangqin music since 20th century. Various regional characteristics of the Yangqin schools in the exchange, forming a new pattern of professional dulcimer teaching, playing techniques more diversified and standardized, the deepening of dulcimer reform makes the performance of musical instruments more outstanding. The appearance of the large-scale music of the yangqin and the works of "Modern Music" have pushed the Chinese yangqin to the European yangqin. West Asia-South Asia dulcimer is one of the three major yangqin systems in the world. The achievements reflected by the development of the Chinese yangqin in a century have attracted the attention of the world. The conclusion is based on the reform of the instrument of dulcimer, the innovation of technique, the creation of music and the people of different historical periods.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J632.51

【引证文献】