交响叙事曲《乌江恨》创作技法研究

发布时间：2018-01-19 15:26

本文关键词： 交响叙事曲《乌江恨》杨立青创作手法　出处：《河南师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：1986年，为纪念我国南京市与日本名古屋市缔结友好城市，杨立青应名古屋市的邀约进而创作了交响叙事曲《乌江恨》。杨立青是我国知名的作曲家、音乐理论家、音乐教育家，曾担任过上海音乐学院院长与博士生导师等职务。多年以来他一直从事音乐创作、管弦乐配器技法以及现代作曲技法的研究工作，他的创作研究，被认为是“传统的现代感”与“现代的传统性”的相互融合的深刻体现。在《乌江恨》这部作品中，杨立青巧妙地借用琵琶古曲《霸王卸甲》的素材，并结合现代作曲技法重新进行创作改编，，非常成功的将中国传统乐器——琵琶运用到西方交响乐的形式之中。这部作品不但具有西方交响思维的博大韵味，又有着我国民族传统的细腻与洒脱。作者独特的将东方叙事结构与西方曲式结构进行有机的结合，将中国民族音乐因素与近现代作曲技法相融合，一方面从古曲中精选出音乐素材，一方面出于一个现代人对这一历史事件的思考，在作品的立意上突出它的抒情性、戏剧性，哲理性，创作了这一部结构完整、音响丰富，感情表达强烈的“民族音乐交响化”的典范之作。本文通过对交响叙事曲《乌江恨》音乐创作技法的研究与分析，从而了解作品的创作手法、音乐语言特点以及作品的审美思想。全文分为两个章节，第一章为杨立青的生平概况以及作品的背景情况，该章节可分为两大部分，第一部分主要介绍了杨立青的成长经历以及创作概况。第二部分详细介绍了作品的创作背景以及乐曲的乐队编制。第二章通过四部分内容详细阐述了交响诗《乌江恨》的音乐本体特征，即通过音乐结构、和声材料与复调创作技法、主题材料、配器手法与音色特征四个方面对全曲进行全面的分析与研究。通过对作品的分析，笔者对作品的音乐语言特色进行了归纳与总结，同时对曲作者在对待作品的内容与表现，传统与现代的处理手法，以及在处理中西不同音乐技法上的创作特征上进行了进一步的深刻剖析。交响叙事曲《乌江恨》是我国近些年来交响乐作品的佳作之一，它不但有着自己鲜明的个性和独具魅力的个人风格，并且对中国民族的发展有着深刻的影响，为中国民族音乐的继承和发展提供许多借鉴与思考，这是一部真正的中国乐派的交响乐。笔者希望通过对《乌江恨》的研究，获得作品风格的把握和技术处理方面的经验，为以后的音乐创作道路提供方向。
[Abstract]:In 1986, in order to commemorate the friendship between Nanjing and Nagoya, Yang Liqing wrote the symphony narrative song Wujiang hate at the invitation of Nagoya. Yang Liqing is a famous composer in China. Music theorist, music educator, has served as dean and doctoral supervisor of Shanghai Conservatory of Music. For many years, he has been engaged in music creation, orchestral orchestration techniques and modern composing techniques. His creative research is considered to be a profound embodiment of the mutual fusion of "traditional modern feeling" and "modern tradition". Yang Liqing cleverly borrows the material of the ancient pipa song "overlord unarmor", and redesigns and adapts it with modern composing techniques. The pipa, a traditional Chinese musical instrument, has been successfully applied to the form of western symphonies. This work not only has the broad appeal of western symphonic thinking. The author combines oriental narrative structure with western musical structure organically, and combines Chinese folk music factors with modern composing techniques. On the one hand, the selection of music materials from the ancient music, on the other hand, out of a modern thinking of this historical event, in the idea of the work highlight its lyricism, drama, philosophy, the creation of a complete structure. Sound rich, strong emotional expression of the "symphonic folk music" model of the work. This article through the symphonic narrative song "Wujiang hate" music creation techniques research and analysis, so as to understand the creation of the work, music language characteristics and the aesthetic thinking of the work. The full text is divided into two chapters. The first chapter is the life of Yang Liqing and the background of the work, this chapter can be divided into two parts. The first part mainly introduces Yang Liqing's growing up experience and the general situation of his creation. The second part introduces the background of the composition and the composition of the music in detail. Chapter two elaborates the symphonic poem < Wu] through four parts. Jiang hate > music Noumenon characteristics. That is, through the music structure, harmony materials and polyphonic creative techniques, theme materials, orchestration and timbre characteristics of the four aspects of the comprehensive analysis and research. Through the analysis of the works. The author sums up and summarizes the musical language characteristics of the works, and at the same time, deals with the content and performance of the works, traditional and modern methods of dealing with them. And in dealing with Chinese and Western different musical techniques on the creative characteristics of a further in-depth analysis. The symphonic narrative song Wujiang hate is one of the best symphony works in China in recent years. It not only has its own distinctive personality and charismatic personal style, but also has a profound impact on the development of the Chinese nation. For the inheritance and development of Chinese folk music to provide a lot of reference and thinking, this is a true Chinese music symphony. The author hopes to through the study of "Wujiang hate". To obtain the style of the works and technical experience in processing, for the future direction of music creation.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J614

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