罗西尼声乐套曲《威尼斯赛船会》的艺术特色及演唱风格探析

发布时间：2018-01-20 09:23

本文关键词： 罗西尼声乐套曲威尼斯赛船会艺术特色演唱风格　出处：《上海师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：乔阿基诺?安东尼奥?罗西尼（Gioachino Antonio Rossini），在欧洲声乐发展史上，曾一度被人们誉为“意大利的贝多芬”，19世纪“美声学派”三巨头之一的罗西尼，开创了“美声学派的第二个黄金时期”，以罗西尼为首的“美声三巨头”，架起了一座跨越传统美声和19世纪大歌剧时代的桥梁，并对美声学派的发展做出巨大贡献，同时也对后世声乐的创作和发展产生深远影响。本文通过对罗西尼声乐套曲《威尼斯的赛船会》的分析研究，主要对作品的艺术特色和演唱风格进行了进一步的探析。文章共四个部分，第一部分介绍了罗西尼及其作品在音乐史上的地位，以及罗西尼声乐作品的总体特征；第二部分探析了罗西尼声乐套曲《威尼斯赛船会》的创作背景和艺术特色，其中包括意大利威尼斯的人文风情以及赛船会的来历等；第三部分讨论了罗西尼声乐套曲《威尼斯赛船会》的演唱风格，阐述了Bel canto的涵义，，并且从演唱者的音色和演唱音量等方面进行探析，通过对德国女中音克丽斯塔?路德维希（Christa Ludwig）、美国抒情女高音芭芭拉?韩翠克丝（Barbara Hendricks）和意大利次女高音塞茜莉娅?巴托莉（Cecilia Bartoli）不同的演唱处理进行比较，结合自己的演唱，总结如何恰当地把握《威尼斯赛船会》的演唱风格；第四部分以演唱者的语言、语气、演唱者与钢琴伴奏的配合、女主人安佐蕾塔的心理变化以及音乐形态和特定场景与人物形象的艺术表现等方面为切入点，分析了声乐套曲《威尼斯赛船会》的演唱难点以及如何突破难点的途径。
[Abstract]:Antonio Rossini Qiao a Keno?? (Gioachino Antonio Rossini), in the history of European music, once known as the "Beethoven of Italy", nineteenth Century "Bel Canto" one of the three giant Rossini, created a "second golden age" of bel canto, headed by Rossini, "Bel three giants" build a bridge across traditional Bel and nineteenth Century grand opera era of the bridge, and make a great contribution to the development of bel canto, but also have a profound impact on the later creation and development of vocal music.
Based on the analysis of Rossini's vocal music divertimento < Venice Regatta >, mainly on the artistic features and singing style works for further analysis. The article consists of four parts, the first part introduces the status of Rossini and his works in the history of music, and Rossi, vocal works general characteristic; the second part is about the Rossini vocal divertimento < Venice Regatta > the creation background and artistic characteristics, including Italy Venice flavor and Regatta origin; the third part discusses the Rossini vocal divertimento < Venice Regatta > concert style, explains the meaning of Bel canto, and in the singer's singing timbre and volume etc. the German Mezzo Soprano, Krista Ludwig (Christa? Ludwig), American lyric soprano Barbara? Han Cuike (Barbara Hendricks) wire And Italy Mezzo Soprano Leah Bartoli (Cecilia Bartoli fill madder?) of different treatments were compared with their singing, singing, summed up how to properly grasp the < > Venice Regatta concert style; the fourth part of the singer's language, tone, with the singer and piano accompaniment, psychological changes, the hostess Lei tower and music form and specific scenes and characters aspects of artistic expression as the breakthrough point, analyzes the difficulties of singing vocal divertimento < Venice Regatta > and the way of how to break through the difficulties.

【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J616.2

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