莫扎特歌剧《魔笛》的体裁特点和演唱风格
发布时间:2018-01-21 11:39
本文关键词: 莫扎特 《魔笛》 体裁特点 演唱风格 影响 出处:《湖南师范大学》2005年硕士论文 论文类型:学位论文
【摘要】:莫扎特是世界音乐史上罕见的天才,他短短35年的生涯中创作了600多部作品,为人类遗留下了辉煌的艺术遗产。当我们纵览莫扎特体裁齐全的作品时,除了器乐领域的那些标志着一个特定历史发展阶段的交响曲、协奏曲、奏鸣曲、室内乐外,最吸引音乐圈内人士和听众的无疑是他的歌剧了,而在他的22部歌剧中,评价最高,上演最多的当推他的最后一部歌剧杰作——为近代德奥民族歌剧矗立了第一座不朽丰碑的《魔笛》。在《魔笛》中,莫扎特用音乐巧妙地表现了各种不同的人物性格,揭示了戏剧冲突,抒发了人物情感,烘托了戏剧气氛。他通过运用当时所有的歌剧体裁和音乐的各种形式来完成和塑造了剧中的各种人物形象。在歌剧中,演唱是塑造人物形象的主要手段,唱腔是关键,作为人物个性唱腔的凝练、浓缩,它不仅为人物性格和形象塑造设立了基本的框架,同时也为音乐形象的进一步展开提供了最根本的依据。鉴于此,本文试图对《魔笛》中的音乐体裁特点进行解读,并根据这些体裁特点所塑造的人物形象进行分析,本文构建了如下写作框架: 前言:主要阐述莫扎特及他的三个创作时期,本论文的价值以及现实意义,以确立本文写作的必要性。 第一章:歌剧《魔笛》的体裁特点。第一部分是《魔笛》的简介,包括三方面:《魔笛》的产生与席卡内德;《魔笛》的故事渊源;《魔
[Abstract]:Mozart is a rare genius in the history of music in the world. He has created more than 600 works in his 35 years' career, leaving behind a splendid artistic heritage for mankind. Apart from the symphonies, concertos, sonatas and chamber music that marked a particular stage of historical development in the field of instrumental music, it was undoubtedly his opera that attracted most people and listeners in the music world. And in his 22 operas, the highest rating, the most staged when his last opera masterpiece-for the modern German and Austrian national opera stood the first immortal monument "Pied Piper" in the Piper. Mozart skillfully expresses various characters with music, reveals the drama conflict, and expresses the character's emotion. Through the use of all the opera genre and various forms of music to complete and shape the various characters in the play. In the opera, singing is the main means of portraying the characters. Singing is the key, as the condensed and condensed character singing, it not only establishes the basic frame for the character and image shaping. At the same time, it also provides the most fundamental basis for the further development of music image. In view of this, this paper attempts to interpret the characteristics of music genre in Piper. Based on the analysis of the characters created by these genres, this paper constructs the following frame of writing: This paper mainly expounds Mozart and his three creative periods, the value and practical significance of this paper, in order to establish the necessity of this writing. The first part is a brief introduction of Pied Piper, which includes three aspects: the birth of Pied Piper and Schiganede; the Origin of Pied Piper;
【学位授予单位】:湖南师范大学
【学位级别】:硕士
【学位授予年份】:2005
【分类号】:J616;J832
【引证文献】
相关硕士学位论文 前4条
1 王丹;莫扎特歌剧创作中启蒙主义思想的研究[D];云南艺术学院;2012年
2 陈雷;歌剧《魔笛》男主人公塔米诺艺术魅力探究[D];南京艺术学院;2007年
3 刘波;抒情男高音在歌剧中的艺术表现力[D];陕西师范大学;2012年
4 韩静;莫扎特三部歌剧中女高音咏叹调的演唱分析[D];沈阳师范大学;2013年
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