湖北石首地区跳三鼓的演唱艺术研究

发布时间：2018-01-23 11:03

本文关键词： 石首地区跳三鼓语言唱腔唱法　出处：《武汉音乐学院》2006年硕士论文　论文类型：学位论文

【摘要】： 风俗歌指有特定民间风俗背景的民歌,是我国民歌中富有特色和颇具影响的一类。湖北位于长江中游地区,是荆楚文化的腹地和荆楚文化与巴蜀文化的混融地,历史文化沉积特别深厚。表现在传统民歌上,以各种风俗活动为背景的民歌种类和数量特别丰富。湖北石首地区的跳三鼓历史久远,内涵丰富,旋律有的起伏高昂,有的平稳幽雅,曲调委婉,缠绵动听。其节奏自由,舒展,再加上锣鼓、鞭炮的渲染,更显得欢快、热闹、气氛热烈。本文从民族音乐学和声乐艺术的角度,对这一民歌体裁的历史源流和演唱特点进行梳理和研究,意欲重点聚焦于语言特征和演唱特色,总结归纳整理石首地区跳三鼓的演唱方法。同时,将田野工作与声乐教学结合,歌唱理论与演唱艺术实践结合,探寻民族唱法如何体现民族性、科学性、艺术性的普遍原则,也是本研究的主要目的。并以期对石首跳三鼓的进一步认识和研究提供某些参考,为民族声乐的演唱研究提供一些借鉴意义。具体研究过程中,笔者通过实地考察、录音采样、记录分析等手段,对石首跳三鼓的历史渊源、歌曲内容及形式、音乐形态、歌词唱腔、演唱方法及审美价值等进行较为系统的研究和论述,通过现场学习和亲身参与跳三鼓的演唱,增加了对跳三鼓的感性认识,丰富了自己的艺术体验,这既构成本文的研究基础,也为笔者今后的进一步研究创造了条件。
[Abstract]:Custom songs refer to folk songs with specific folk customs background, which are characteristic and influential in Chinese folk songs. Hubei is located in the middle reaches of the Yangtze River and is the hinterland of Jingchu culture and the blend of Jingchu culture and Bashu culture. Historical and cultural deposition is particularly profound. It is manifested in the traditional folk songs, with a variety of custom activities as the background of folk songs and the number of particularly rich. Hubei Shishou area of the three drum dance history is long, rich in content. Melody some ups and downs high, some smooth elegant, melody euphemism, lingering beautiful. Its rhythm freedom, stretch, plus gongs, firecrackers rendering, more cheerful, lively. From the point of view of ethnomusicology and vocal music art, this paper combs and studies the historical origin and singing characteristics of this folk song genre, with the intention of focusing on the linguistic features and singing characteristics. At the same time, combining field work with vocal music teaching, combining singing theory with singing art practice, exploring how to reflect the nationality and scientific nature of the national singing method. The general principle of artistry is also the main purpose of this study. In the specific research process, the author through the field investigation, recording sampling, recording analysis and other means, the history of the Shishou dance three drum, song content and form. Music form, lyric singing, singing method and aesthetic value were systematically studied and discussed. Through on-the-spot study and personal participation in the singing of the three drums, the perceptual understanding of the three drum dancing was increased. It not only forms the research foundation of this paper, but also creates the conditions for the author to further study in the future.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J616

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