神游其中,得乎其外——高为杰两乐章双钢琴曲的解读与演奏

发布时间：2018-01-23 19:19

本文关键词： 乡愁童趣结构分析意境解读演奏诠释　出处：《音乐创作》2011年06期 　论文类型：期刊论文

【摘要】：高为杰的两乐章双钢琴曲"乡愁"、"童趣"作为标题音乐,两个主题鲜明的标题,给予音乐内容的提示,作品既表达了作曲家的情感,又唤起了听者无限的遐想。乐曲中复杂的和声,出乎意料的转调,把儿童玩耍中的活泼、率真和突如其来的俏皮、恶作剧惟妙惟肖地展现出来,仿佛让人置身于儿时的趣事之中。演奏《乡愁》时,要注意两架钢音色上的连接和情绪上的递进,此处八度的演奏技术很重要,另外要注意旋律方向感的把握,要使情绪一气呵成,旋律与旋律之间的契合点要衔接的恰当好处.演奏《童趣》时,触键应以明亮色彩的音色为基调,刻画出轻盈而优美的主题形象,演奏者找到一个集中的触键点,用快速的下键速度和敏锐灵巧的手指动作,制造一种清脆透亮的音色。
[Abstract]:Gao Weijie's two-movement piano music "homesickness", "childlike interest" as title music, two distinct themes of the title, to give the music content hints, the works both express the feelings of the composer. It evokes the infinite reverie of the listeners. The complex harmony and unexpected change of tune in the music bring forth vividness, frankness and sudden witty in children's play, and the practical jokes are vividly displayed. When playing homesickness, pay attention to the connection of two steel timbre and emotional progression, here octave playing technology is very important, in addition to pay attention to melodic sense of direction. In order to make the mood smooth, the fit point between melody and melody should be the proper advantage. When playing childlike interest, the touch key should take the tone of bright color as the keynote, and portray the light and graceful theme image. The player finds a focused touch key point and creates a crisp, bright tone with fast key-down speed and sharp finger movements.
【作者单位】：杭州师范大学音乐学院;
【分类号】：J624.1
【正文快照】： 高为杰的两乐章双钢琴曲“乡愁”、“童趣”是根据原两乐章钢琴小协奏曲改编而来。该曲是应日本国际音乐出版社2002年委约专为青少年而创作。作为一种标题音乐，，两个主题鲜明的标题，给了我们音乐内容的提示，用音乐语言表达作曲家的情感，唤起听者无限的遐想。乐曲的音乐素

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