论肖邦钢琴作品中和弦外音的美学意义

发布时间：2018-01-30 12:27

  本文关键词： 肖邦 和弦外音 美学意义 黄金分割　出处：《曲阜师范大学》2006年硕士论文　论文类型：学位论文

【摘要】：和弦外音是指不属于和弦结构的音,但外音不“外”,它以自己独特的方式作用于音乐的外在形式与内容表现,成为建构音乐的形式美与加强表情性方面的重要因素。可在和声学研究领域,针对和弦外音的研究多是限于从和声分析的角度来研究外音的不同表现形式与用法,或只是从旋律华彩与增添和声紧张度与色彩方面去一般地看待外音在音乐作品中的意义,很少有人从美学的高度对外音之于音乐作品的形式构成与内容表现的重要意义进行深入的个案研究。这在一定程度上影响了对于和弦外音重要性的认识,同时也导致对有调性音乐作曲家创作技法的研究在外音领域的长期缺失。 本文试图通过肖邦钢琴作品中和弦外音应用的系统研究,来了解外音在这位音乐历史上最伟大、最具独创性作曲家作品中从形式到内容方面的美学意义。文章共分两章,第一章论述了和弦外音的发展简史,并从四个方面论述了外音在音乐作品中的一般美学意义。第二章是论文的主体部分,分别论述了和弦外音在建构富有形式美的旋律线条、表现特定情感、体现作曲家特有的美学观念等方面的重要作用。通过研究可以看出,从纵的方面,肖邦对于外音的应用既有对前人的继承,更有对前人的突破,并对后世音乐的发展产生了重要影响。从横的方面,外音的应用构成了作曲家独特创作个性的有机组成部分,在音乐作品中发挥着独特而重要的作用,从旋律到和声、从形式美的构成到表情性的体现等皆闪耀着外音的美丽光辉。此课题的研究不但为肖邦作曲技法的研究打开了一个新的视角,有利于我们更加全面而客观地来认识这位作曲家在旋律学与和声学等领域所做出的重要贡献,同时也利于我们更加深刻地认识和弦外音在音乐表现中的重要作用。
[Abstract]:Chord external sound refers to the sound which does not belong to the chord structure, but the external sound is not "outside". It acts on the external form and content of music in its own unique way. It has become an important factor in the construction of formal beauty of music and the enhancement of facial expression. It can be used in the field of harmony and acoustics. The study of chord extraphonic is limited to the study of different forms and usage of external sound from the perspective of harmony analysis. Or just from the melodic splendor and add harmony intensity and color to generally look at the meaning of foreign sound in musical works. Very few people from the aesthetic height foreign sound to the musical work form constitution and the content expression important significance carries on the thorough case study, this to some extent has affected the understanding to the chord external sound importance. At the same time, it also leads to the long-term deficiency in the field of external sound. This paper attempts to study the application of chords in Chopin's piano works in order to understand the greatest in the music history of Chopin. Aesthetic significance from form to content in the works of the most original composers. The article is divided into two chapters. The first chapter discusses the development history of chord external sound. The second chapter is the main part of the thesis, and discusses the chord external sound in the construction of formal beauty of the melody lines, the performance of specific emotions. Through the study, we can see that Chopin's application of foreign sound not only inherits the predecessors, but also has a breakthrough to the predecessors. From the horizontal aspect, the application of external sound constitutes an organic part of the composer's unique creative personality, and plays a unique and important role in music works. From melody to harmony, from the composition of formal beauty to the embodiment of facial expression, all of them are shining with the beautiful brilliance of external sound. The research of this subject not only opens a new angle of view for Chopin's study of composing techniques. It is helpful for us to understand more comprehensively and objectively the important contributions made by this composer in the field of melotics and harmony. At the same time, it also helps us to understand the important role of chords in the performance of music.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J614.1

【引证文献】

中国硕士学位论文全文数据库 前2条

1 吴婕;肖邦夜曲中的Rubato节奏研究[D];湖南师范大学;2011年

2 郝丽莎;论和弦外音及其演进[D];西南交通大学;2011年

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