黑衣壮山歌文化的内涵与现代审美价值

发布时间：2018-02-04 17:51

本文关键词： 黑衣壮弄文屯山歌文化文化内涵审美价值　出处：《广西师范大学》2005年硕士论文　论文类型：学位论文

【摘要】：审美人类学以全球化背景下,弱小民族和边缘群体的审美文化的变迁和艺术实践活动为研究对象。尤其是在现代经济、技术、文化的冲击下,弱小民族和边缘群体的传统文化艺术面临着巨大的挑战,其传统与现代生活结合的可能性、方式、动因和机制是什么;在多元文化的语境中,少数民族的文化艺术的价值和意义何在;它们能否为自己赢得新的生存空间并发出本民族文化艺术的声音等问题都是审美人类学所要探讨的。审美人类学认为少数民族艺术和审美活动与人民的现实生活经验密切联系,审美价值还未从政治价值、经济价值、伦理价值中分离出来,只有在具体的社会变迁和文化语境中来考察,才能了解其丰富的文化内涵和审美价值并重新找回审美活动与日常生活的联系。黑衣壮是广西壮族的一个分支,长期以来其独特的族群文化艺术未被世人知晓,但近年来,在现代政治、经济和大众文化的影响下,其传统文化艺术正经历着巨大的转型和变迁,其独特的族群文化逐渐引起人们的关注。本文在审美人类学的视野下,以黑衣壮山歌文化为研究对象,通过对黑衣壮山歌文化的田野调查,在获得第一手资料的基础上,对黑衣壮山歌艺术的源流、种类和歌唱习俗做了初步的研究。本文认为山歌文化是一种审美意识形态,山歌艺术的文化内涵不是孤立地静止地存在于艺术符号中,而是体现在整个歌唱活动的过程中。通过对歌唱活动的主体即歌手歌师的形成、歌唱的内容即情歌的本质和歌唱的场所即歌节及所产生的审美意义的分析,探讨了黑衣壮歌唱活动丰富的文化内涵。在现代化的进程中,黑衣壮山歌文化必然发生变迁,通过对其变迁轨迹和原因的分析,探讨了黑衣壮山歌文化的现代审美价值。黑衣壮群众利用山歌文化作为载体,在回忆和变迁中重构黑衣壮族群意识并强化了文化认同心理。在与外来文化的交流和互动中,黑衣壮群众的文化自觉意识逐步增强,在反抗文化压迫的过程中表现了特殊的文化竞争意识和特有的文化表达方式。他们还积极探索利用族群文化资源来推动黑衣壮社会发展的新途径。黑衣壮山歌文化的现代变迁表明,虽然文化的全球化是历史的必然趋势,但由于各民族和地区的经济、技术、文化的不平等性,在全球化的坐标中所处的位置不同,参与的进程不同和受到的冲击程度不同,所以,全球化/本土化,现代化/民族化并不构成简单的对立和冲突关系。事实上,在外来大众文化的冲击下,少数民族群众并不是简单的抛弃传统、全盘接受外来文化。相反,通过与外来文化的交流,他们的族群意识和文化自觉意识得到增强,在继承和吸收外来文化的过程中,表现出了一种创造性的生存智慧。同时,少数民族艺术中的某些积极强健的因素被激活,民族感情被激发,这有利于民族文化的生产和再生产,并促使民族艺术朝着更加个性鲜明的方向发展。在当代文明冲突中和社会主义艺术生产方式的条件下,民族艺术、本土文化不是一个简单的“他者”,它们有可能发挥审美意识形态在社会转型和发展中的积极作用,表现出“边缘文化”的活力,成为少数民族地区经济、社会、文化发展的一种牵引性的力量,是新文化建设的一种重要的文化资源。
[Abstract]:Aesthetic anthropology in the background of globalization, minorities and marginalized groups the changes of aesthetic culture and artistic practice as the research object. Especially in the modern economy, technology and culture under the impact of traditional culture and art of minorities and marginalized groups are facing great challenges and possibilities, combining the traditional and modern way of life and what is the motivation and mechanism; in a multicultural context, where the value and meaning of the culture and art of ethnic minorities; they can win for themselves a new living space and the issue of the national culture and art sound it is a question of aesthetic anthropology to explore. Aesthetic anthropology thought the national minority art and aesthetic activities and people's real life experience in close contact, yet from the aesthetic value of political value, economic value, ethical value is separated, and only in a specific social change and cultural language In order to understand the rich cultural connotation and aesthetic value, we can find out the relationship between the aesthetic activities and the daily life.
Heiyizhuang is a branch of Guangxi Zhuang, has its unique ethnic culture and art is not known, but in recent years, in the modern political, economic and popular culture, the traditional culture is experiencing great transformation and change, its unique Zu Qunwen gradually attracted people's attention in this paper. In the vision of aesthetic anthropology, with black clothes Zhuang folk song culture as the research object, through the field investigation of black clothes Zhuang's folk song culture, based on the first-hand data, the origin of black clothes Zhuang folk song art, singing types and customs to do a preliminary study. This paper argues that the folk culture is a kind of aesthetic ideology. The cultural connotation of folk art is not an isolated still exists in the art symbol, but reflected in the whole process of singing activities. Through the subject of singing activities that singers to sing The content analysis of essence and aesthetic significance of the place that singing songs and the Song Festival, discusses the Heiyizhuang singing activities rich cultural connotation. In the process of modernization, the inevitable changes of black clothes Zhuang's folk song culture, through the analysis of the changes and reasons, explore the modern aesthetic value of black clothes Zhuang folk songs the black clothes Zhuang culture. People use folk songs as a carrier in the memory and changes in group consciousness and strengthen the reconstruction of Heiyi Zhuang cultural identity in psychology. And foreign culture communication and interaction, cultural self-consciousness people gradually increase the performance of the special sense of cultural competition and culture in the process of cultural resistance in the oppression of expression. They also actively explore new ways of using ethnic cultural resources to promote the Heiyizhuang social development.
According to the modern changes of black clothes Zhuang's folk song culture, while the cultural globalization is the inevitable trend of history, but because of the national and regional economic, technical, cultural inequality, different place in global coordinate position, participate in the process and the impact of different degree is different, so, globalization / localization. The modernization / nationalization does not constitute a simple confrontation and conflict relations. In fact, in a foreign mass culture under the impact of the minority people and not simply abandon the traditional, accepting foreign cultures. On the contrary, with foreign cultural exchanges, their ethnic consciousness and cultural consciousness has been enhanced, in the process of inheritance and the absorption of foreign culture, showing the living wisdom of a creative. At the same time, ethnic art in some strong positive factors are activated, national feelings are excited, which is conducive to the people Cultural production and reproduction, and promote the national art in a more distinctive direction. In the contemporary cultural and artistic production under the condition of socialism, ethnic art, local culture is not a simple "otherness", they are likely to play a positive role in the aesthetic ideology in social transformation and development. Show the "edge culture" activity, become the minority area economy, society, a leading force in the development of culture, is an important cultural resource of new cultural construction.

【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J642.211.8

【引证文献】