关于舒曼声乐套曲《妇女的爱情与生活》织体写作之研究

发布时间：2018-02-08 18:53

本文关键词： 舒曼浪漫主义和弦结构织体研究　出处：《山东师范大学》2006年硕士论文　论文类型：学位论文

【摘要】： 舒曼是十九世纪上半叶德国重要的浪漫主义音乐家,在舒曼身上,我们看到了浪漫派精神的化身,他的浪漫气质大部分是从文学引申和培育出来的。对于我们而言,在今天,最珍贵的还是他留下的大量的音乐作品。其中最为著名的还是他的艺术歌曲的创作,在舒曼的艺术歌曲中,钢琴和旋律处于平等地位,甚至有时钢琴部分显得是更重要。也许是受了巴赫的的影响,舒曼在艺术歌曲钢琴织体的使用上是别具特色的。在他的艺术歌曲中,对浪漫主义诗歌的敏捷而直接的洞察力表现在他的歌曲形式丰富多变、表情亲切;钢琴织体和独立的钢琴作品集中表现了许多日后成为浪漫主义时代钢琴风格的特征。在以往对舒曼艺术歌曲作品的研究中,研究者大多从声乐的角度展开研究,较少的以织体写作为切入点,因此为了深入的探究舒曼钢琴伴奏织体的写作和应用,以及与舒曼独立钢琴作品的联系,本课题将重点以舒曼的声乐套曲《妇女的爱情与生活》为研究对象,试图以对这一声乐套曲的钢琴伴奏织体的分析与研究,为更深层次的阐释舒曼艺术歌曲做新的尝试。本论文从浪漫主义产生的历史文化背景入手,从十九世纪以来在欧洲重要的历史转折时期,各国的资产阶级民主运动不同的革命形式以及拿破仑的失败使封建势力得以全面复辟引入,阐述了19世纪初期在文学艺术领域内产生浪漫主义思潮的社会原因。在这一时期许多音乐家、作曲家们谱写了为革命服务的歌曲、合唱曲和进行曲等不同形式的音乐作品。接着笔者介绍了德国浪漫主义运动。19世纪初浪漫思潮首先在德国兴起,继而在英、法出现了浪漫主义文学运动。浪漫主义从文学转到音乐方面来形成于19世纪20年代,以韦伯的歌剧和舒伯特的艺术歌曲为最初标志。舒曼的歌曲创作在他结婚的1840年达到顶峰,仅此一年中,他谱写了大约140首歌曲。他的代表作《妇女的爱情与生活》和《诗人之恋》等都是在这一年所作,因此1840年被称为舒曼的歌曲之年。在这些歌曲中,他以纤巧的笔触描述了对克拉拉的爱情。第三章是本论文的核心内容,在第三章里,着重从以下几个方面展开论述: 一、民族音乐风格的确定。
[Abstract]:In 19th century, Schumann was an important Romantic musician in Germany. In Schumann, we saw the embodiment of Romantic spirit. His romantic temperament was largely derived from literature and nurtured. The most precious thing was the amount of music he had left behind. The most famous of them was the creation of his artistic songs, in which piano and melody were equal in Schumann's art songs. Sometimes the piano part is even more important. Perhaps influenced by Bach, Schumann is unique in the use of the piano texture of art songs. In his art songs, The quick and direct insight into Romantic poetry is manifested in his rich and varied forms of songs, his genial expression, and his piano texture and independent piano works, which show many of the characteristics of piano style in the romantic era. In the past researches on Schumann's works of art songs, most of the researchers carried out the research from the angle of vocal music, and seldom took texture writing as the breakthrough point. Therefore, in order to explore the writing and application of Schumann's piano accompaniment texture, As well as the relationship with Schumann's independent piano works, this paper will focus on the study of Schumann's vocal suite "Women's Love and Life", and try to analyze and study the piano accompaniment fabric of this vocal music suite. For a deeper interpretation of Schumann art songs to make a new attempt. This paper starts with the historical and cultural background of Romanticism, and from 19th century on the important historical turning point in Europe. The different revolutionary forms of bourgeois democratic movements in various countries and the defeat of Napoleon made it possible for the feudal forces to be fully reintroduced. This paper expounds the social causes of romanticism in the field of literature and art in the beginning of 19th century. During this period, many musicians and composers wrote songs for the service of revolution. Then the author introduces the Romantic Movement of Germany in the early 19th century, the romantic trend first rose in Germany, then in England, In 1820s, Romanticism changed from literature to music, marked by Weber's operas and Schubert's art songs. Schumann's songwriting peaked in 1840, when he married. In that year alone, he wrote about 140 songs. His masterpieces, Love and Life of Women and Love of Poets, were written that year. In 1840, therefore, he was called the year of Schumann's songs, in which he described his love for Clara in a delicate style. The third chapter is the core content of this paper, in the third chapter, it focuses on the following aspects:. First, the determination of folk music style.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J614.1

【引证文献】