郭兰英和彭丽媛所扮演的喜儿的唱法和风格特点之比较

发布时间：2018-02-11 08:26

本文关键词： 郭兰英彭丽媛民族声乐现代民族声乐《白毛女》喜儿《恨似高山仇似海》　出处：《华中师范大学》2006年硕士论文　论文类型：学位论文

【摘要】：郭兰英是我国民族声乐界最为杰出的艺术家之一,她代表了一个时代,她和与她同时代的一大批杰出的歌唱家、作曲家等艺术家一起,构成了我国现代民族声乐的起点。而彭丽媛作为新一代的歌唱家,更是将中国的民族声乐水平推到了一个前所未有的高峰。在不同的历史时期,郭兰英和彭丽媛分别成功地塑造了歌剧《白毛女》中的“喜儿”一角。本文在吸收和借鉴前人研究成果的基础之上,对郭兰英和彭丽媛从艺术经历、演唱技巧和舞台表演个三个方面进行分析和比较,重点以歌剧《白毛女》中“喜儿”的代表性唱段《恨似高山仇似海》为例加以分析,主要运用对比的方法研究两者在声乐表演艺术上的异同。通过研究她们对同一作品中同一角色的不同艺术处理,彰显她们各自的艺术风格。以此为基础,使我们得到一些对现代民族声乐艺术未来发展的有益的启示。本文的结构大致可以分为以下四个部分: 序言:主要论述郭兰英和彭丽媛在我国民族声乐发展史上的地位和影响。第一章:社会背景分析,主要论述郭兰英和彭丽媛所处社会历史背景以及她们各自不同的艺术经历。第二章:艺术表现的比较,主要从二者的角色塑造、演唱技巧和舞台表演三方面对她们进行对比分析,以《白毛女》的代表性唱段《恨似高山仇似海》为例加以分析,主要从发声方法与技巧、声乐语言、艺术处理等方面加以分析。结语:通过对郭兰英和彭丽嫒歌剧表演艺术的比较研究,使我们得到一些对现代民族声乐艺术未来发展的有益的启示,从而指导我们的艺术实践。
[Abstract]:Guo Lanying is one of the most outstanding artists in the field of national vocal music in China. She represents an era in which she works with a large number of outstanding singers, composers, and other artists of her time. It constitutes the starting point of modern Chinese national vocal music. Peng Liyuan, as a new generation of singers, has pushed the level of Chinese national vocal music to an unprecedented peak. In different historical periods, Guo Lanying and Peng Liyuan succeeded in shaping the role of "Xi er" in the opera "Whitehaired Girl". On the basis of absorbing and drawing lessons from previous studies, this paper analyzes and compares Guo Lanying and Peng Liyuan from three aspects: artistic experience, singing skills and stage performance. Focus on the opera "White-haired Girl" in the representative segment of "Xi er" < hate like mountains like the sea] as an example to analyze, This paper mainly uses the method of contrast to study the similarities and differences between them in the performing art of vocal music. By studying their different artistic treatment of the same character in the same work, they show their respective artistic styles. So that we can get some useful inspiration for the future development of modern national vocal music art. The structure of this paper can be roughly divided into the following four parts:. Preface: mainly discusses the position and influence of Guo Lanying and Peng Liyuan in the history of Chinese national vocal music. The first chapter: social background analysis, mainly discusses Guo Lanying and Peng Liyuan's social and historical background and their different artistic experiences. The second chapter: the comparison of artistic performance, mainly from the role shaping, singing skills and stage performance of the three aspects of their comparative analysis, with the representative of "White hair Girl", "hate like a mountain like the sea" as an example to analyze. Mainly from the vocal methods and skills, vocal music language, art processing and other aspects to be analyzed. Conclusion: through the comparative study of Guo Lanying and Peng Liai's opera performance art, we can get some useful inspiration for the future development of modern national vocal music art, and guide our art practice.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J616

【引证文献】