俄汉歌词“音韵美”对比研究

发布时间：2018-02-12 08:19

本文关键词： 歌词音韵节奏音乐性比较　出处：《中国人民解放军外国语学院》2006年硕士论文　论文类型：学位论文

【摘要】： 俄罗斯民族的诗歌与音乐以其独有的艺术魅力闻名于世,而优秀的歌词身处其中,兼具诗、曲特征,凝聚诗、曲精华,当说是俄罗斯文化艺术中的独特一族。然而,“歌词这门特殊的以语言为材料的艺术,只因为将自己的命运同以无形为重要特色的音乐结合了起来,从而往往成为一种既不被文学界所瞩目,又常被音乐界所遗忘的艺术”。(晨枫,2002:1)事实上,歌词是所有语言艺术中最早出现的一种形式——它几乎与人类萌芽状态的语言表述同时产生,其诗化本体乃至诗化的语言特征,早已使歌词具有与诗歌相似、且绝不亚于诗歌的艺术魅力。其中,歌词不仅与诗歌一样具有一定的音乐性和“音韵美”特征,其需“和乐而唱”的天性,更使歌词的音乐性与“音韵美”较诗歌更为显著和鲜明。因此,本文选择“俄语歌词”作为主要研究对象,同时选择了俄语歌词的“音韵美”作为研究的主要角度,希望籍此作为对俄语歌词初步探索研究的开始。本篇论文主要由绪论、正文、结论三部分组成。绪论部分说明本文写作的缘起,简要介绍与本文研究内容密切相关的学科、理论研究背景,具体说明本文主要研究方法,阐明写作目的。正文由四章组成: 第一章探寻俄、汉诗歌与歌词分化整合的历史脉络,在此基础上总体把握歌词与诗歌、歌词与音乐之间辨证统一的关系,从而证明歌词不仅具有诗歌所有的包括“音韵美”在内的诗性特征和音乐性特质,同时,歌词源于诗歌且更为鲜明的音乐性更为其“音韵美”的充分展现铺就了至关重要的平台。第二、三章从语音、韵律两个方面探讨俄汉歌词语言的基本特征及其异同,深入体会这些特征在歌词中的情感色彩表达,从而从根本上阐明和奠定俄汉歌词丰富的“音韵美”的语言基础。第四章在前文基础上对俄汉歌词的“音韵美”作理论性整理和论述,归纳总结俄汉歌词“音韵美”的主要特征,并由此探讨“词曲交融(这里主要指歌词语言的基本音韵特征与相关音乐基本要素的对应结合)对俄汉歌词‘音韵美’的深化和升华。结论部分梳理全文脉络并总结全文,阐明本文研究的主要结论,分析本篇不足。我们知道,理论力量的产生是建筑在科学性的规范化的基础上的。其中规范不仅指单一学科本身的系统性,同时也指学科之间的相互作用与影响的体系,这样就在学科边缘、交叉的关系中,从不同学科的角度强化了对同一论题的认识。近年来,俄、中诗歌、音乐理论届的学者们就打破学科界限,把俄、汉诗歌与音乐结合起来进行研究,把握住了俄、汉文学与艺术发展史上的一个重要现象,开拓了一个新的学术研究方向。由此,在俄、汉诗歌文学与音乐文学交相呼应、蓬勃发展的今天,我们似乎更有必要审视歌词艺术的历史足迹,在古今、中外的观照之中,探索出歌词独有的艺术特征及其发展变化的规律,促进歌词、乃至诗歌艺术进一步的繁荣与发展。此外,哪怕是对于普通的俄语学习和研究者来说,“学习外语和唱外语歌曲是同等重要的……学好外语歌曲,可以使您更深刻地理解这门外语的真谛……”(姚光岩,2004:1)。可见,了解和研究俄语歌词会为我们带来多方面的实际意义。总之,本文以俄、汉歌词为研究对象,以俄、汉语言、诗歌、音乐文学理论中的相关内容(如语音学、语言学、诗歌韵律学、语言学诗学、比较诗话学、民族文化语义学、诗歌史学以及基本乐理、音乐音响学、音乐史学等学科中的相关理论,尤其是“诗歌美学”、“声乐语言学”等新兴学科的相关学术理论)为基础,以“诗歌与音乐”和“歌词”领域已有的理论研究成果为依据,旨在对俄、汉歌词的“音韵美”做一个非常基本而又较为“立体”的研究和阐述。讨论中既有中、俄两国或同一时期、或相似历史背景、或同一主题的歌词的横向对比,也有中国或俄罗斯本国不同历史时期和艺术文化发展阶段歌词的纵向对比。以上也是本篇论文研究的新意所在。
[Abstract]:Poetry and music of the Russian nation with its unique artistic charm of famous and excellent lyrics in both poetry and music features, condensed poetry, song essence, as the saying is unique family of Russian culture and art. However, the lyrics "which is a kind of special language is the material of art, just because their fate will be the same as the invisible is the key features of the music together, and often become a are not attracted the attention of the literary world, and often forgotten by the musical art." (Chen Feng, 2002:1) in fact, the lyrics is a form first appeared in all languages in Art -- it is almost the bud and human language at the same time, the linguistic features of the poetic ontology and poetic, poetry and lyrics have already made similar, and no less than the artistic charm of poetry. The lyrics and poetry not only has a certain musical and "Beauty" and "feature, the need to sing" nature, music and lyrics to "beauty" poetry is more significant and distinct. Therefore, this thesis chooses "Russian lyrics" as the main research object, and choose the Russian lyrics of "beauty" as the main research angle, which is intended as a preliminary exploration of the Russian lyrics the beginning of the study.
This paper is mainly composed of three parts: introduction, text and conclusion.
The introduction part explains the origin of this paper, briefly introduces the subjects closely related to the research content, theoretical research background, and illustrates the main research methods in this paper, and expounds the purpose of writing.
The text consists of four chapters:
The first chapter is to explore the Russian, Chinese poetry and lyrics of differentiation and integration of the historical context, on the basis of the overall grasp of the lyrics and poetry, the dialectical unity relationship between lyrics and music, which proves that not only has all the poetry lyrics including "beauty", the poetic features and musical qualities, at the same time, the lyrics from poems and more the distinctive music for its "beauty" of the show paved the important platform.
The second, third chapter discusses the basic characteristics and similarities and differences between Russian and Chinese lyrics from two aspects: voice and prosody, and deeply understands these emotional expressions in lyrics, so as to clarify and lay a foundation for the phonetic beauty of Russian and Chinese lyrics.
The fourth chapter on the basis of above mentioned in Russian and Chinese lyrics of "beauty" theory of reorganization and the elaboration, summarized the main features of summary of Russian and Chinese lyrics "beauty", and then discussed the "lyrics blending (here mainly refers to the basic elements of the corresponding basic phonological features of song lyrics and music with lyrics in Russian and Chinese) the" beauty "deepening and sublimation.
The conclusion is to sort out the full text and summarize the full text, to clarify the main conclusions of this study and to analyze the lack of this article.
We know that the theory of power is based on scientific and standardized. The specification not only refers to the system of the single subject itself, but also refers to the interaction and influence between discipline system, this subject in the edge cross relationship, from different subjects and understanding of the perspective of reinforcement the same topic.
In recent years, Russia, in poetry, music theory scholars will break the boundaries of disciplines, the Russian, Chinese poetry and music combine research, grasp Russia, an important phenomenon in the history of the development of Chinese literature and art, has opened up a new academic research direction. Thus, in Russia. Chinese poetry and music literature echoes, flourishing today, we need to look at the lyrics seem more art history in the ancient and modern, Chinese and foreign footprint, contemplation, and explore the unique artistic characteristics of lyrics and its developing rules, and promote the prosperity and development of the lyrics, poetry and art in the future.
In addition, even for those of ordinary Russian learning and speaking, learning a foreign language and sing English songs are equally important. To learn English songs, so you can understand the language more profound meaning. "(Yao Guangyan, 2004:1). Therefore, the understanding and study of Russian lyrics will bring practical significance in many aspects for us.
In short, the Russian, Chinese lyrics as the research object, in Russia, the Chinese language, poetry and music related content in literary theory (such as linguistics, phonetics, prosody, linguistic poetics, comparative poetry, poetry history and national culture semantics, basic music theory, music acoustics, music and other subjects in the history the related theory, especially the "aesthetics of poetry", "vocal linguistics" and other emerging disciplines related to academic theory) as the foundation, with "poetry and music" and "lyrics" field of the existing theoretical research results as the basis, to the Russian, Chinese lyrics of "beauty" to do a very basic and more three-dimensional the research and discussion in this paper. Both in Russia, or during the same period, or similar historical background, compared with the same topic or lyrics, there are Chinese or Russian in different stages of history and culture and art development period The longitudinal contrast of the lyrics. The above is also the new meaning of this paper.

【学位授予单位】：中国人民解放军外国语学院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：I106.2;J614.9

【引证文献】