沧源永和佤族社区与澜沧班利拉祜族村基督教音乐文化的比较研究

发布时间：2018-02-23 21:32

本文关键词： 佤族拉祜族基督教音乐文化音乐民族志音乐人类学　出处：《云南艺术学院》2014年硕士论文　论文类型：学位论文

【摘要】：十九世纪末,西方基督教文化从东南亚和我国内地两个方向陆续传入我国西南边疆少数民族地区，且造成较大的影响。分布在滇西南地区的临沧专区、思茅专区边境沿线部分地区的佤族和拉祜族，上世纪初由缅甸浸信会教派传入基督教。近百年的发展，基督教思想已经深深扎根于其民族意识之中。本文所调查的对象沧源县永和佤族社区和澜沧县东回乡班利拉祜族村就是两个信仰基督教的村落，其宗教仪式深深地固化在这两个地区的集体观念中。本论文正是以两地基督教仪式音乐个案为切入点，用音乐人类学的理论方法及深入的田野调查对这些现象进行阐释，以笔者对滇西南地区不同村落不同民族在基督教的影响下呈现的不同音乐样式进行微观的梳理和比较为途径，以此探究基督教传入以后对不同村落、不同民族音乐文化的影响，以揭示今天所看到的音乐文化现象的原因。全文以绪论、四个章节、结语三大部分构成。绪论着重叙述了本文的选题来源、研究目的、选题的理论意义、研究价值、研究现状和研究方法。正文第一章，是对佤族和拉祜族基本情况和基督教在佤族和拉祜族地区传播的情况作介绍。第二章，基督教仪式音乐实地考察，以音乐民族志的形式对沧源永和社区2012年圣诞节仪式和东回班利村2012年新米节、2013年圣诞节仪式进行描述。第三章，首先分别对永和佤族社区和东回班利拉祜族村的基督教仪式音乐发生的场域、两地的圣歌和仪式音声进行描述，然后对上述内容进行比较，，观察两地区基督教仪式音乐的异同。第四章，运用音乐人类学家赖斯的模式对两地的基督教音乐文化进行阐释，分别从历史构成、社会维护、个人创造和体验三个层面对两地基督教音乐文化现象进行分析。最终揭示出同一信仰下不同地区不同民族基督教音乐文化异同的原因。
[Abstract]:At the end of 19th century, Western Christian culture was introduced into the ethnic minority areas of southwest China from Southeast Asia and the interior of China, which caused great influence. It was distributed in Lincang region of southwest Yunnan. The WA and Lahu ethnic groups in parts of the border area along the Simao region were introduced into Christianity by the Baptist sect of Myanmar in early 0th century. Christian thought has been deeply rooted in its national consciousness. The objects investigated in this paper are Yonghe WA community in Cangyuan County and Banli Lahu village in Donghui Township of Lancang County, which are two villages that believe in Christianity. The religious ceremony is deeply solidified in the collective concept of the two regions. This paper is based on the two Christian ritual music cases as a breakthrough point, using the theoretical method of musical anthropology and in-depth field investigation to explain these phenomena. By comparing and combing the different music styles of different villages and nationalities in southwest Yunnan under the influence of Christianity, this paper probes into the influence of Christianity on different villages and different national music culture after the introduction of Christianity. In order to reveal the reasons for the phenomenon of music culture seen today. This paper is composed of three parts: introduction, four chapters and conclusion. The introduction focuses on the origin, purpose, theoretical significance, research value, research status and research methods of the topic. It is an introduction to the basic situation of WA and Lahu ethnic groups and the spread of Christianity in WA and Lahu nationality areas. In the form of musical ethnography, this paper describes the Christmas ceremony on 2012 in the Yonghe Community of Cangyuan and the New Rice Festival on 2012 in Donghui Banli Village, and the Christmas ceremony in 2013. First of all, it describes the field of Christian ritual music in Yonghe WA community and the eastern Banghui Lahu village, the hymns and ritual sounds of the two places, and then compares the above contents. Observing the similarities and differences of Christian ritual music between the two regions. Chapter 4th, using the model of music anthropologist Condoleezza Rice to explain the Christian music culture of the two places, respectively from the historical composition, social maintenance, The author analyzes the phenomenon of Christian music culture in the two places from three aspects of individual creation and experience, and finally reveals the reasons for the similarities and differences of Christian music culture of different nationalities in different regions under the same faith.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J608

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